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Wavelength is one of a handful of truly canonical works of American experimental film. Its use of film's material and formal foundations as a subject established it as one of avant-garde cinema's most conceptually advanced investigations into its own medium, echoing similar trends in modern painting and sculpture. Michael Snow himself described Wavelength as a continuous 45-minute zoom across a New York City loft, but this oft-repeated description does little justice to its complexity and variety. The...more