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Tijd Om Gelukkig Te Zijn


The nameless characters in this story about a lonely, middle-aged man (Jan Decleir) suddenly unemployed and living off social security suggest that they are symbolic of a broader-based society. When the man's unwanted isolation is played against the many laid-off workers receiving checks at the unemployment office, the pathos is universal. By contrast, when the man and his mistress (Eva Kant) are specifically portrayed in their rather tacky...more