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Both the technique and the topic of this ribald, touching, unorthodox drama by Lothar Lambert are evocative in their own way. The irrepressible Lambert got on the phone with his individual actors (working "for the fun of it") and met them in the Tiergarten sector of Berlin, in the park. The Tiergarten used to be the posh diplomatic center before the war, but at this time, it stopped at the Brandenberg Gate. Though partly rebuilt, some of...more