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The Quiet Man Details


Returning to the Ireland of his birth, director John Ford fashions a irresistable valentine to the "Auld Sod" in The Quiet Man. Irish-American boxer John Wayne, recovering from the trauma of having accidentally killed a man in the ring, arrives in the Irish village where he was born. Hoping to bury his past and settle down to a life of tranquility, Wayne has purchased the home of his birth from wealthy local widow Mildred Natwick, a transaction that has incurred the wrath of pugnacious squire Victor McLaglen, who coveted the property for himself. By and by, Wayne falls in love with McLaglen's beautiful, high-spirited sister Maureen O'Hara. Her insistence that Wayne conduct his courtship in a proper Irish manner-with puckish matchmaker Barry Fitzgerald along for the ride as "chaperone"--is but one obstacle to their future happiness: the other is McLaglen, who spitefully refuses to give his consent to his sister's marriage, or to honor the tradition of paying a dowry to Wayne. Wayne could care less about dowries, but the tradition-bound Maureen refuses to consummate her marriage until McLaglen pays up. Under any other circumstances, Wayne would have punched out the bullying McLaglen long ago, but ever since his tragedy in the ring he has been reluctant to fight. Local priest Ward Bond conspires with several locals to trick McLaglen into paying his due. They intimate that widow Natwick, for whom McLaglen carries a torch, will marry the old brute if he'll give his consent to the marriage and fork over the dowry. But McLaglen finds he's been tricked and the situation remains at a standoff, with the frustrated Wayne locked out of his wife's bedroom. When Maureen accuses him of being a coward and walks out on him, our hero can stand no more. He marches Maureen to McLaglen's home, indicating that he plans to whale the tar out of both brother and sister. As a huge and appreciative crowd gathers the cornered McLaglen truculently tosses the money in Wayne's direction. Big John hands the bills to Maureen, just as she knew he would, and she ceremoniously destroys the money, just as he knew je would. Having proven their love for each other, there is nothing left for Wayne and Maureen to do but head home and perform their nuptual duties. But first there's the matter of giving McLaglen the thrashing he deserves....and it is this spectacular donnybrook, which covers several acres of land and at least two "pit stops" so that the combatants can quench their thirst, which convinces Natwick that the defeated McLaglen is truly worthy of her love (her logic is on a par with everyone else's in the film!) Though it tends to perpetuate the myth that all true Irishmen live only to fight, drink and make love, The Quiet Man is grand and glorious fun, enacted with gusto by a largely Hibernian cast and directed with loving care by a master of his craft. Written by Frank Nugent and graced with a lilting musical score by Victor Young, the film won Oscars for Archie Stout's Technicolor photography and for John Ford's direction-a real coup for "poverty row" Republic Pictures. If you haven't already luxuriated in this wonderful film, be sure to catch in on the tube next St. Patrick's Day. ~ Hal Erickson, Rovi

  • Release date:August 1, 1952


Awarded by
Academy of Motion Picture Arts and Sciences Winton Hoch Best Color Cinematography 1952 Winner
Directors Guild of America John Ford Best Director 1952 Winner
Academy of Motion Picture Arts and Sciences John Ford Best Director 1952 Winner
Hollywood Foreign Press Association John Ford Best Director 1952 Nominee
Academy of Motion Picture Arts and Sciences John Ford Best Picture 1952 Nominee
Academy of Motion Picture Arts and Sciences Victor McLaglen Best Supporting Actor 1952 Nominee
Hollywood Foreign Press Association Victor Young Best Original Score 1952 Nominee
Academy of Motion Picture Arts and Sciences Merian C. Cooper Best Picture 1952 Nominee
Academy of Motion Picture Arts and Sciences Archie J. Stout Best Color Cinematography 1952 Winner
Academy of Motion Picture Arts and Sciences John McCarthy Best Color Art Direction 1952 Nominee
Academy of Motion Picture Arts and Sciences Frank Hotaling Best Color Art Direction 1952 Nominee


John Wayne
as Sean Thornton
Maureen O'Hara
as Mary Kate Danaher
Victor McLaglen
as Red Will Danaher
Barry Fitzgerald
as Michaeleen Flynn
Ward Bond
as Fr. Peter Lonergan
Mildred Natwick
as Mrs. Sarah Tillane
Francis Ford
as Dan Tobin
Eileen Crowe
as Mrs. Elizabeth Playfair
May Craig
as Woman at Railroad Station
Arthur Shields
as Rev. Cyril Playfair
James Lilburn
as Father Paul
Joseph O'Dea
as Guard Maloney
Eric Gorman
as Engine Driver Costello
Webb Overlander
as Station Master
Hank Worden
as Trainer in Flashback
Al Murphy
as Referee
Jack MacGowran
as Feeney
Sean McClory
as Owen Glynn
Frank Baker
Bob Perry
Sam Harris
as General at Race
Harry Tenbrook
as Policeman
Michael Wayne
as Teenage Boy at Races
Patrick Wayne
as Boy on fence at horse race
Pat O'Malley
as Man
Mae Marsh
as Father Paul's Mother
Harry Tyler
as Pat Cohan the Publican
Ken Curtis
as Dermot Fahy


John Ford
John Ford
Michael Killanin
Merian C. Cooper
Richard Llewellyn
Archie J. Stout
Winton Hoch
Victor Young
Composer (Music Score)
Richard Farrelly
Frank Hotaling
Art Director
John McCarthy
Set Designer
Adele Palmer
Costume Designer
Maurice Walsh
Short Story Author