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A Star Is Born Details


The 1954 musical remake of could have been titled A Star is Reborn, in that it represented the triumphal return to the screen of Judy Garland after a four-year absence. The remake adheres closely to the plotline of the 1937 original: An alcoholic film star, on his last professional legs, gives a career boost to a unknown aspiring actress. The two marry, whereupon her fame and fortune rises while his spirals sharply downward. Unable to accept this, the male star crawls deeper into the bottle. The wife tearfully decides to give up her own career to care for her husband. To spare her this fate, the husband chivalrously commits suicide. His wife is inconsolable at first, but is urged to go "on with the show" in memory of her late husband. In the original, Janet Gaynor played Esther Blodgett, who with no training or contacts came to Hollywood hoping for stardom. The remake, scripted by Moss Hart, is a shade more realistic: Garland's Esther, though far removed from fame, is a working professional singer/dancer when first we meet her. Both Gaynor and Garland are transformed from "Esther Blodgett" to "Vicki Lester" after being screen-tested, though Gaynor goes on to star in fluffy costume dramas while Garland more logically headlines big-budget musicals. The 1937 Gaynor costarred Fredric March as Norman Maine, Esther/Vicki's sponsor-cum-spouse. March patterned his performance after the tragic John Barrymore, reining in his emotions in favor of pure technique; James Mason's interpretation is more original, more emotional, and far more effective (who can forget the scene where Norman sobbingly overhears Vicki planning to give up her career for his sake?) As the studio's long-suffering publicist, the 1937 version's Lionel Stander is more abrasive and unpleasant than the 1954 version's introspective, intellectual Jack Carson; on the other hand, Adolphe Menjou and Charles Bickford are fairly evenly matched in the role of the studio head. Several important omissions are made in the remake. The 1937 Gaynor included Esther's indomitable old grandma (May Robson), a helpful assistant director (Andy Devine) and a soft-hearted landlord (Edgar Kennedy); all three characters are missing from the 1954 version, though elements of each can be found in the "best friend/severest critic" character played by Tommy Noonan. Wisely, both versions end with the grieving Vicki Lester coming out of her shell at a public gathering, greeting the audience with a proud, defiant "Good evening, everybody. This is Mrs. Norman Maine". Though directors William Wellman (1937 version) and George Cukor (1954 version) handle this finale in their own distinctive manners, the end result is equally effective emotionally. What truly sets the 1954 apart from other films of its ilk is its magnificent musical score by Harold Arlen and Ira Gershwin. The songs include The Man Who Got Away (brilliantly performed by Garland in one long take, sans dubbing), It's a New World, Somewhere There's a Someone, I Was Born in a Trunk, Lose That Long Face and Gotta Have Me Go With You. When originally previewed in 1954, the film ran well over three hours, thanks to the lengthy-and thoroughly disposable-Born in a Trunk number, added to the film as an afterthought without the approval or participation of director George Cukor. The Warner Bros. executives trimmed the film to 154 minutes, eliminating three top-rank musical numbers and several crucial expository sequences (including Norman's proposal to Vicki). At the instigation of the late film historian Ronald Haver, the full version was painstakingly restored in 1983, with outtakes and still photos bridging the "lost" footage. Though nominated in several categories, was left empty-handed at Academy Award time, an oversight that caused outrage then and still rankles Judy Garland fans to this day (Footnote: Judy Garland had previously played Vicki Lester in a 1942 Harold Arlen adaptation of the original ). ~ Hal Erickson, Rovi

  • Release date:September 29, 1954


Awarded by
Academy of Motion Picture Arts and Sciences Harold Arlen Best Song 1954 Nominee
Hollywood Foreign Press Association James Mason Best Performance by an Actor in a Motion Picture - Musical or Comedy 1954 Winner
Academy of Motion Picture Arts and Sciences James Mason Best Actor 1954 Nominee
Directors Guild of America George Cukor Best Director 1954 Nominee
Academy of Motion Picture Arts and Sciences Ira Gershwin Best Song 1954 Nominee
Academy of Motion Picture Arts and Sciences Irene Sharaff Best Color Costume Design 1954 Nominee
Academy of Motion Picture Arts and Sciences Irene Sharaff Best Color Art Direction 1954 Nominee
Academy of Motion Picture Arts and Sciences Jean Louis Best Color Costume Design 1954 Nominee
Hollywood Foreign Press Association Judy Garland Best Performance by an Actress in a Motion Picture - Musical or Comedy 1954 Winner
Academy of Motion Picture Arts and Sciences Judy Garland Best Actress 1954 Nominee
Academy of Motion Picture Arts and Sciences Ray Heindorf Best Musical Score 1954 Nominee


Judy Garland
as Esther Blodgett/Vicki Lester
James Mason
as Norman Maine
Jack Carson
as Matt Libby
Charles Bickford
as Oliver Niles
Tommy Noonan
as Danny McGuire
Lucy Marlow
as Lola Lavery
Amanda Blake
as Susan Ettinger
Irving Bacon
as Graves
Hazel Shermet
as Libby's Secretary
James Brown
as Glenn Williams
Lotus Robb
as Miss Markham
Chick Chandler
as Man in Car
Kathryn Card
as Landlady
Leonard Penn
Emerson Treacy
as Justice of the Peace
Joseph Mell
as Studio Employee
Louis Jean Heydt
as Director
Grandon Rhodes
as Producer
Frank Puglia
as Bruno
Richard Webb
as Wallace
Jack Harmon
as 1st Dancer
Charles Watts
as Harrison
John Saxon
as Premiere Movie Usher
Charles Halton
Eric Wilton
as Valet
Stuart Holmes
as Spectator
Rudolph Anders
Nadene Ashdown
as Esther at age 6
Tristram Coffin
as Director
Strother Martin
Frank Ferguson
as Judge
Rex Evans
as Master of Ceremonies
Pat O'Malley
Laurindo Almeida
as Guitarist
Mae Marsh
as Party Guest
Willis B. Bouchey
as Director
Wilton Graff
as Master of Ceremonies--Last Scene
Grady Sutton
as Carver
Bess Flowers
Dub Taylor
as Driver
Henry Kulky
as Cuddles
Joan Shawlee
as Announcer
Percy Helton
as Charley


George Cukor
Sidney Luft
Moss Hart
Harold Arlen
Composer (Music Score)
Ira Gershwin
Composer (Music Score)
Ray Heindorf
Musical Direction/Supervision
Ray Heindorf
Composer (Music Score)
Craig Holt
Folmar Blangsted
Irene Sharaff
Production Designer
Irene Sharaff
Costume Designer
Michael Woulfe
Costume Designer
Jean Louis
Costume Designer
Richard Barstow
Gordon Bau