Metacritic Movie Ratings
Volver Reviews

5.0

84

out of 100

Metascore®
Universal acclaim
Based on a weighted average of all critic review scores.

A sample of reviews from critics across the country.

  • 100

    out of 100

    USA TodayClaudia Puig

    With this, possibly his most subdued film, Almodovar reinforces his status as one of the most distinctive and talented filmmakers working today.

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  • 100

    out of 100

    Chicago Sun-TimesRoger Ebert

    It is refreshing to see Cruz acting in the culture and language that is her own. As it did with Sophia Loren in the 1950s, Hollywood has tried to force Cruz into a series of show-biz categories, when she is obviously most at home playing a woman like the ones she knew, grew up with, could have become.

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  • 90

    out of 100

    VarietyJonathan Holland

    Peopled with superbly drawn, attractive characters smoothly integrated into a well-turned, low-tricks plotline, Volver may rep Almodovar's most conventional piece to date, but it is also his most reflective, a subdued, sometimes intense and often comic homecoming that celebrates the pueblo and people that shaped his imagination.

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  • 90

    out of 100

    The New York TimesA.O. Scott

    Volver, full of surprises and reversals, unfolds with breathtaking ease and self-confidence. It is in some ways a smaller, simpler film than either "Talk to Her" or "Bad Education," choosing to tell its story without flashbacks or intricate parallel plots, but it is no less the work of a master.

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  • 90

    out of 100

    The Hollywood ReporterRay Bennett

    It's very difficult to mesh fantasy with reality, but with great charm and a light touch, Almodovar shows exactly how it should be done.

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  • 80

    out of 100

    Los Angeles TimesCarina Chocano

    Volver is just as funny as "What Have I Done," but it's also more sanguine and complex. Its humor is brighter and loopier, more a function of the characters' indomitable spirit than of their terminal despair.

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  • 75

    out of 100

    Entertainment WeeklyOwen Gleiberman

    The movie opens as borderline Hitchcock, echoing the tone of the filmmaker's bravura "Bad Education" (2004), and then turns into a kind of overly conceptualized Tennessee Williams.

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See all Volver movie reviews at Metacritic.com

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