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Vanishing on 7th Street Review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 3.0
    50

    out of 100

    Metascore®
    Mixed or average reviews
    based on a weighted average of all
    critic review scores.

  • 25

    out of 100

    Entertainment Weekly Owen Gleiberman

    Anderson has made a zombie movie without the zombies.

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  • 50

    out of 100

    The Hollywood Reporter Kirk Honeycutt

    Whatever one's view of Christian evangelical beliefs, from strictly a horror-film standpoint the movie needs a better villain.

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  • 60

    out of 100

    The New York Times Manohla Dargis

    The story, which starts promisingly only to stop, restart, sputter and come to a wheezing, disappointing puff of nada, proves the least satisfying part of the whole. The finale certainly isn't earned, but all the nasty, tiny jolts throughout the movie do prick the skin nicely.

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  • 70

    out of 100

    Los Angeles Times Betsy Sharkey

    Anderson spends most of his energy creating a mood - making "Vanishing" more cerebral than white-knuckle, though a few more shrieks (mine) might have been nice.

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  • 70

    out of 100

    Village Voice

    It is creepy enough to make you hope the theater parking lot is brightly lit.

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  • See all Vanishing on 7th Street reviews at Metacritic.com

Fan Reviews provided by

2


4

by Ronin Bahamut

3

Started as a "Go" descended into "Oh No!" ... I split the difference by dollwithouteyes
Mr. Anderson has imagination and classic movie making skills when it comes to horror and suspense, he uses atmosphere and emotion to tell a story. The Machinist is an example of how creative he can be. Even when he's involved with something as gimmicky as the MOH series, it will be tastefully done, he doesn't stoop to sex scenes or violence. In this film he takes a scenario that could be laughable and begins to make it surprisingly spooky, things bump in the night, he also blurs the line between illusion, memory and reality well. Its reinforced by pretty good acting. Even Hayden Christensen has made some improvement since Star Wars. I was especially pleased by newcomer Jacob Latimore. But who let this screen writer out of film school? Everyone tried to breathe life into his paper-thin concept but it went into cardiac arrest in the end. It was so anticlimatic it hardly passes for finished, its like the writer stopped after the first paragraph of his idea. This could have been good...

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