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Skinwalkers Review

Movies.com Critics

2.0

Dave White Profile

" … neither as good nor as bad as you want it to be." Read full review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 2.0
    33

    out of 100

    Metascore®
    Generally unfavorable reviews
    based on a weighted average of all
    critic review scores.

  • 20

    out of 100

    The New York Times Jeannette Catsoulis

    Yawningly directed by Jim Isaac, Skinwalkers is a slavering mess that buries its clunky addiction metaphor beneath a welter of genre clichés, all delivered in extra-slow motion.

    Read Full Review

  • 30

    out of 100

    The Hollywood Reporter Frank Scheck

    A thoroughly undistinguished addition to a genre that probably reached its peak a quarter-century ago with "An American Werewolf in London."

    Read Full Review

  • 38

    out of 100

    ReelViews James Berardinelli

    It stands alongside this year's other werewolf disaster, "Blood and Chocolate," in illustrating why the moon should set on the werewolf movie.

    Read Full Review

  • 40

    out of 100

    Variety Joe Leydon

    Plays more like '70s drive-in fare than a monster mash of recent vintage.

    Read Full Review

  • 40

    out of 100

    Los Angeles Times

    There's a lot that remains unclear about the powers and abilities of the creatures in Skinwalkers, largely robbing the film of tension as events transpire in a slapdash, haphazard manner.

    Read Full Review

  • See all Skinwalkers reviews at Metacritic.com

For Families provided by Common Sense Media

Iffy for 14+

Silly werewolf tale is violent but boring.

What Parents Need to Know

Parents need to know that this dark, poorly edited horror movie has plenty of violence, including multi-gun shootouts, careening cars, and werewolf attacks (bloody, shredding flesh, usually in deep shadow). The narrator, a nearly 13-year-old boy, has a difficult relationship with relatives that he's just discovered are werewolves (the fact that they've lied to him his whole life creates a lot of tension). A female werewolf shows cleavage and midriff as she chomps on her victims; some beer and liquor is shown in a bar scene. Language is relatively mild, including several "hells" and fewer uses of both "s--t" and "damn."

  • Families can talk about the movie's family dynamic. How does his relatives' lifelong lie affect Tim? Does it have a greater impact on him because of his age (13 is tricky even without monsters)? What kinds of revelations could affect real-life kids just as much? Families can also discuss the differences between the male and female werewolves. What sets them apart from each other? What characteristics are typical for TV and movie werewolves? Do these werewolves stick to the pattern?

The good stuff
  • message true0

    Messages: The difference between the good and bad werewolves is that the first group represses their urges by chaining themselves up once a month, while the bad ones want to eat everyone.

What to watch for
  • violence false5

    Violence: Lots of insinuated, darkly shadowed, silhouetted violence, with dripping blood a repeated effect. Wounded bodies appear in various contortions, including hanging upside down and arrayed as if crucified. Boy has repeated nightmare flashes (a "home invasion" scenario in which his father is dragged away). Werewolves attack victims with lots of growling, leaping, and flesh-ripping sounds. Shooting sprees galore: When werewolves aren't tearing at human flesh, they're shooting at one another. Werewolves' transformations (hair sprouting, noses growing, etc.) are violent and alarming to a young boy who witnesses them changing. Heroes' truck flips over violently. Following her kidnapping, Kat is left hanging in the woods, emulating a bloody crucifixion.

  • sex false3

    Sex: Female werewolf shows cleavage and midriff; sex scene between Sonja and Varek might be a transition from a rape/attack on a female saloon patron, but the scenes are poorly edited, so it's hard to tell -- at any rate, the sex shows sweaty-chested, bloody-faced Varek looking triumphant.

  • language false3

    Language: Mild and pretty infrequent language includes "goddamn," "s--t," "screw this, "little prick," and "What the hell is happening?"

  • consumerism false0

    Consumerism: GMC pickup truck.

  • drugsalcoholtobacco false3

    Drinking, drugs and smoking: Bar scene shows beer and liquor being served.

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