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Saturday Night Fever Review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 4.0
    77

    out of 100

    Metascore®
    Generally favorable reviews
    based on a weighted average of all
    critic review scores.

  • 30

    out of 100

    Variety

    The clumsy story lurches forward through predictable travail and treacle, separated by phonograph records (or vice versa).

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  • 70

    out of 100

    The New York Times Elvis Mitchell

    Fever beings to flag when, after an initial hour filled with high spirits and jubilant music, it settles down to tell its story; the effect is so deflating that it's almost as though another Monday has rolled around and it's time to get back to work. [16 Dec 1977]

  • 83

    out of 100

    Entertainment Weekly

    Travolta molds what could have been an equally obvious character into a substantial, tragic figure.

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  • 88

    out of 100

    Chicago Sun-Times Roger Ebert

    It's also interesting to see how little screen time the final disco competition really has, considering how large it looms in our memories.

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  • 88

    out of 100

    Chicago Tribune Gene Siskel

    One minute into Saturday Night Fever you know this picture is onto something, that it knows what it's talking about. [15 Oct 1999, Siskel Years, p.6]

  • See all Saturday Night Fever reviews at Metacritic.com

For Families provided by Common Sense Media

Iffy for 15+

Disco drama is not just daaancin' yeah!

What Parents Need to Know

Parents need to know that two versions of this hit were released on home video, one a PG-rated (more deserving of a PG-13, really) edit, mainly on VHS, and a later R-rated DVD that put back a lot of the original theatrical film's harshest gutter language and vibes. Both detail urban gang-style behavior by the characters – even by nominal hero Tony Manero -- with much swearing, fighting, casual and/or animalistic sex (the most disturbing being a gang-rape at the end), and ultimately deadly mischief. Though Tony ends up seeking a healthier path, his family's Catholic religion has nothing to do with it; in fact, his brother, a priest, quits the clergy, declaring that he has no faith anymore.

  • Families can talk about Tony's finding value and self-esteem on the discotheque floor (and in a small raise he gets at his paint-store job) that he says he doesn't receive at home, where he's considered the black sheep. It's interesting that Stephanie, the love interest who helps Tony see the error of his ways, isn't the proverbial "uptown girl" outsider, but someone from his own neighborhood who is trying to actively better herself after "crossing the bridge" into Manhattan society. You can discuss how much of this storyline is specific to New York City and its social classes, and how much is universal -- especially the similarities to other films about at-risk youth, from Rebel Without a Cause to 8 Mile. Also, why do you think this film and its soundtrack are still so popular today?

The good stuff
  • message true0

    Messages: Tony Manero goes from a delinquent with racist and sexist attitudes to a more mature guy who realizes there are better things and more admirable ways to behave. Along the way there's plenty of bad behavior: cruising for fights with rivals, meaningless sex, drug connections, and nocturnal mischief that eventually kills one of them. The Catholic religion followed closely by Tony's joyless, stifling (somewhat stereotypically Italian-American) family isn't shown to be a positive thing, or even relevant in their lives, and Tony's brother leaves the priesthood because he no longer has faith.

What to watch for
  • violence false5

    Violence: The worst is saved for the end of the movie: a gang-rape (though the camera is an anguished non-participant the whole time). Tony and his gang have a streetfight with Puerto Ricans that results in lots of bruises and bandages. Another fight (off-screen) puts one guy in the hospital with broken limbs. One of the characters dies in a fall off a bridge.

  • sex false5

    Sex: Even with sheer disco-dance outfits and leotards, men show more flesh than women: Tony flexes before a mirror in briefs, some of his buddies are pantsless while having sex in the back of their shared car. A near-naked go-go dancer is in the background of one scene. Plenty of sexual remarks and challenges ("Are you as good in bed as you are on that dance floor?"). Talk of pregnancy (and marriage) as an unhappy consequence of sex.

  • language false5

    Language: In the R version: frequent F-words and C-words, plus racial epithets for African Americans and Latinos. The racial stuff is still there in the PG version, but the S-word is more common.

  • consumerism false3

    Consumerism: The car Tony and his friends share has a prominent STP sticker, Trojan-brand condoms make a significant appearance, and there's a dialogue reference to Polaroid cameras (and Polaroid's now-forgotten ad campaign featuring actor Laurence Olivier). But it's the soundtrack, practically quadraphonic in its '70s disco-palace tunes that heavily pushes the Bee Gees and other artists.

  • drugsalcoholtobacco false3

    Drinking, drugs and smoking: Lots of social drinking (including while driving) and some drug use, with much talk of "getting high."

Fan Reviews provided by

5

Time travel by sidehtch67
I had forgotten what a great movie this is. I highly recommend seeing it on the big screen if you have a chance. So much fun.

5

Saturday Night Fever by lauracdunne
We loved it! It brought back a lot of memories. It was fun to see how far advanced they were back then and what a risk they took making it. It still holds the test of time. You can't say that about a lot of movies. All I can say is WOW. Still a Great Movie:) Laura

5

by laurieq622

4

Saturday night fever by Sandrajocook
Seeing it as an older person it was a totally different story. A better story.

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