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Revolutionary Road Review Critics


Dave White Profile

...your dreams are going to die, DIE... Read full review

Other Critics provided by

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 4.0

    out of 100

    Generally favorable reviews
    based on a weighted average of all
    critic review scores.

  • 40

    out of 100

    Wall Street Journal Joe Morgenstern

    The movie is stifling, all right, and depressing in the bargain.

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  • 50

    out of 100

    The Hollywood Reporter Kirk Honeycutt

    In "Virginia Woolf," George and Martha are locked into a symbiotic, disturbingly needy relationship that absolutely feed off their acidic battles. But for Revolutionary Road's Frank and April Wheeler, you wonder: Why don't they just get a divorce?

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  • 75

    out of 100

    USA Today Claudia Puig

    It's not quite up to the caliber of Richard Yates' novel, which is deeply nuanced and rich in subtext. But the performances are superb, and the film is beautifully shot.

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  • 83

    out of 100

    Entertainment Weekly Owen Gleiberman

    The best thing about Revolutionary Road, a cool-blooded and disquieting adaptation of Richard Yates' 1961 novel about a powerfully unhappy Connecticut couple, is that it doesn't end with that rote vision of bourgeois anomie. It only begins there.

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For Families provided by Common Sense Media

Iffy for 16+

Intense adult drama shocks but doesn't awe.

What Parents Need to Know

Parents need to know that this 1950s-set adult drama deals with themes that are probably too intense for younger teens. It explores a marriage on the brink of destruction, which can be painful to watch, and tackles subjects like infidelity, gender roles, abortion, and mental illness. The main characters fight constantly in long, drawn-out scenes and seem unaware of the effect their conflict is having on their children. There's also some nudity (bared breasts) and sex, as well as language, drinking, and era-accurate smoking.

  • Families can talk about how the main characters' relationship/interactions make teens feel. What kind of parents were they? How do you think children are affected by a relationship like April and Frank's? Also, how does the era in which the story is set shape it? What were the 1950s and 1960s like for men and women? Were gender roles limited? Why did April and Frank -- and scores like them -- try to adapt? How did they try to retain their individuality? Were they successful?

The good stuff
  • message true0

    Messages: A husband and wife tear each other apart verbally and emotionally. They mean well but are hobbled by personal dissatisfaction, an inability to communicate, and predefined gender roles. They seem unaware of the effects of their relationship on their children and fight bitterly, loudly, and somewhat physically. Friends and neighbors care about them but can't seem to help but judge their decisions. Couples are unfaithful and betray the people close to them. Communities try to unify over a shared activity but fail. A woman contemplates terminating a pregnancy.

What to watch for
  • violence false2

    Violence: A couple continually indulges in long, loud, drawn-out fights that lead to them either stalking off or challenging the other to hit them. Plenty of tears and insults.

  • sex false4

    Sex: A woman's breasts are bared in a scene in which she's trying to appear casual after sleeping with a married man. A married couple has sex on the kitchen counter (no nudity); another couple, not married to each other, has sex in a car (lots of noises and movement, but again, no nudity). Many conversations about trysting.

  • language false4

    Language: Runs the gamut, from the milder "damn" to "bulls--t" and "f--k."

  • consumerism false0

    Consumerism: Not an issue

  • drugsalcoholtobacco false4

    Drinking, drugs and smoking: Characters smoke constantly (accurate for the era) and drink socially. Beer is consumed, but there seems to be a preference for hard liquor. Characters get drunk and cheat on their spouses.