Raising Arizona Review

Like "Blood Simple," it's full of technical expertise but has no life of its own... The direction is without decisive style. [11 Mar 1987, p.C24]

Quickly and fatally, the overlooked form peels away from the slight, frail content, and the film starts to look like an episode of "Hee Haw" directed by an amphetamine-crazed Orson Welles. [20 March 1987]

These fraternal film makers have a lot of imagination and sense of fun - and, most of all, a terrific sense of how to manipulate imagery... But sometimes they seem to be getting too big a kick out of their own shenanigans. By the end, the fun feels a little forced. [26 Mar 1987, p.34(E)]

As leisurely and disconnected as "Blood Simple" was taut and economical. While film is filled with many splendid touches and plenty of yocks, it often doesn't hold together as a coherent story.

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Raising Arizona is no big deal, but it has a rambunctious charm. The sunsets look marvelously ultra-vivid, the pain doesn't seem to be dry – it's like opening day of a miniature golf course. [20 Apr 1987, p.81]

To their old fascination with Sunbelt pathology, to their side-winding Steadicam and pristine command of screen space, the Coens have added a robust humor, a plot that keeps outwitting expectations and a surprising dollop of sympathy for their forlorn kidnapers. [23 March 1987]