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Pillow Talk Review

For Families provided by Common Sense Media

OK for kids 14+

Hudson and Day's Sex and the City, '50s-style.

What Parents Need to Know

Parents need to know that 1959's Pillow Talk is a romantic comedy that reflects its period's attitudes toward women, sexuality, and what was perceived as funny. Popular, even iconic, this film is packed with sexual innuendo and coy double meanings. While there is no overt sexual activity, other than some passionate kissing and a young man feebly trying to force his attention on the leading  lady, the story is about relationships -- both those that are purely sexual and those that are romantic. More decades-old values onscreen: a featured player with a chronic hangover is seen as humorous, as are several scenes in which characters get very, very drunk; women are referred to as "girls"; homosexuality and obesity are mocked; there's no ethnic diversity; characters smoke; and the glamorous wardrobe includes lots of fur. 

  • Families can talk about how films of this ear are fun but depict prejudice against different groups. Do you ignore the racism, sexism, and fat-phobia of the film and only look at the comic storyline?
  • How much do you know about the '50s? What has changed? How have romantic comedies changed?
  • Have you seen other Doris Day movies? Do you find them fun even though the attitudes in them are dated?

The good stuff
  • message true0

    Messages: Despite its old-fashioned questions -- Will she or won't she? Is the arrogant womanizer to be envied, laughed at, or tamed? Will the bevy of beauties courted by that womanizer ever catch on and find self-respect? Can a single woman be fulfilled without a man in her life? -- the heroine ultimately stands up for herself, her belief in monogamy, and finds true love. 

  • rolemodels true1

    Role models: Very 1950s gender roles. Men have power, are womanizers, and allowed great freedom. Women, for the most part, are sexual objects, lovesick, and in need of a man to take care of them. The heroine, however tentatively, veers from the stereotype and almost takes control of her life. There are jokes that fun of homosexuals and overweight women. No characters of color.

What to watch for
  • violence false1

    Violence: A friend slaps the leading lady to stop her hysterical crying. A punch is thrown; the male victim has a dark bruise and loosened teeth afterward. Both incidents are meant to be funny. And, a young man forcibly tries to kiss the heroine; she briefly struggles, saving herself from his unwanted advances.

  • sex false2

    Sex: No nudity or actual sexual activity, but sex, or the lack thereof, is the motivating force of the film's story. There's some passionate kissing, lots of flirting, and many implied sexual encounters as the handsome hero has a keen eye for beautiful women and successfully woos a number of them in his apartment, which is designed for seduction. The leading lady is accused of having "bedroom problems" and the leading man is called a "sex maniac." A young man takes the heroine to Lover's Lane, forcefully tries to kiss and embrace her, but she forcefully refuses.

  • language false1

    Language: No swearing or coarse language, but lots of sexual innuendo and double entendres. 

  • consumerism false0

    Consumerism: Multiple signs in scene backgrounds: Pabst, Michelob, Schlitz, Canadian Club, Admiral, Circle Line Tours, and several New York clubs and restaurants.

  • drugsalcoholtobacco false3

    Drinking, drugs and smoking: Drunkenness is a source of humor and is used to define some characters: The heroine's female confidante shows up for work every morning with a hangover; several people get very drunk and pass out or collapse. Multiple scenes include smoking and social drinking either at home, in restaurants, or at nightclubs.  

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