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Mr. & Mrs. Smith Review

Other Critics provided by

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 3.0

    out of 100

    Mixed or average reviews
    based on a weighted average of all
    critic review scores.

  • 60

    out of 100

    Wall Street Journal Joe Morgenstern

    The movie reminded me of a relatively new product, the little translucent wafer that you put on your tongue to freshen your breath. One hit of intense flavor and the thing dissolves without a trace.

  • 67

    out of 100

    Entertainment Weekly Owen Gleiberman

    For all the nimbleness of its first half and the chemical zing of Pitt and Jolie, the film devolves into a fractious and explosive mess, hitting the same note of ''ironic'' violence over and over.

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  • 75

    out of 100

    USA Today Claudia Puig

    Jolie and Pitt project more than just body heat. They convey a multi-faceted attraction, toss off clever repartee and dazzle audiences with their seemingly natural connection. And that's worth watching.

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  • 75

    out of 100

    Chicago Sun-Times Roger Ebert

    What makes the movie work is that Pitt and Jolie have fun together on the screen, and they're able to find a rhythm that allows them to be understated and amused even during the most alarming developments.

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  • 80

    out of 100

    The Hollywood Reporter Michael Rechtshaffen

    Expertly tossing off the type of well-sharpened banter that was the domain of Gable and Lombard and Tracy and Hepburn, Brad Pitt and Angelina Jolie -- no matter what their off-camera status -- make one swell combative couple.

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  • See all Mr. & Mrs. Smith reviews at

For Families provided by Common Sense Media

Pause for kids 14 & under

Married assassins thriller isn't for kids.

What Parents Need to Know

Parents need to know that this film features repeated and sustained violent scenes, involving guns, explosions, and knives. It's also worth noting that these scenes most often set husband against wife. Following one of these extended shoot-outs, they engage in mostly off-screen sex (some close-ups of limbs and lips serve as prelude). Husband and wife lie to each other, appear in therapy sessions, discuss their lack of intimacy. Jane wears dominatrix gear and wields a crop, just before she snaps her target's neck. John pees in the desert (back to camera). Characters smoke, drink, drive fast, crash, and deploy major weapons.

  • Families can talk about the extreme (and darkly comic) representation of workaholic partners and marital stress. How does the movie use a romantic comedy's basic structure (sparring couple, parallel confidantes, zany situations reframed as violence) in order to comment on the high-stress pace of contemporary, two-career marriages? How might John and Jane have avoided tensions by not deceiving one another to start with? What is exciting about keeping secrets? Why is it better to tell the truth?

The good stuff
  • message true0

    Messages: Characters lie, drive fast, shoot, and use knives: they are assassins, after all.

What to watch for
  • violence false3

    Violence: Lots of shooting and exploding, less brutal than antic.

  • sex false2

    Sex: Sexual banter, dominatrix outfit, mild sex scene following violent exchange.

  • language false2

    Language: Brief.

  • consumerism false0

    Consumerism: Not applicable

  • drugsalcoholtobacco false2

    Drinking, drugs and smoking: Drinking and drunkenness during flashback courtship scenes.