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Memoirs of a Geisha Review

Movies.com Critics

3.0

Dave White Profile

… half-baked romance … Read full review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 3.0
    54

    out of 100

    Metascore®
    Mixed or average reviews
    based on a weighted average of all
    critic review scores.

  • 50

    out of 100

    The New York Times Manohla Dargis

    Mr. Marshall can't rescue the film from its embarrassing screenplay or its awkward Chinese-Japanese-Hollywood culture klatch, but Memoirs of a Geisha is one of those bad Hollywood films that by virtue of their production values nonetheless afford a few dividends, in this case, fabulous clothes and three eminently watchable female leads.

    Read Full Review

  • 58

    out of 100

    Entertainment Weekly Lisa Schwarzbaum

    Not since "Snow Falling on Cedars" have I seen so pedigreed a lit-pic sit there like such an inert teapot, available only to be admired for its mysterious, ineffable Asian teapotness.

    Read Full Review

  • 63

    out of 100

    USA Today Claudia Puig

    Memoirs of a Geisha is like a sumptuous piece of silk: stunning yet ultimately flimsy. You wish it were more like a kimono, richly woven, multilayered and more substantial.

    Read Full Review

  • 63

    out of 100

    Chicago Sun-Times Roger Ebert

    I object to the movie not on sociological grounds but because I suspect a real geisha house floated on currents deeper and more subtle than the broad melodrama on display here.

    Read Full Review

  • 70

    out of 100

    Los Angeles Times Carina Chocano

    Spanning two decades and a momentous war, Memoirs of a Geisha displays all the pomp and grandeur of an epic, but you wouldn't call it sweeping.

    Read Full Review

  • 80

    out of 100

    Variety Todd McCarthy

    From a filmmaking point of view, this is a work that the old Hollywood moguls themselves would have been proud to present.

    Read Full Review

  • 80

    out of 100

    The Hollywood Reporter Kirk Honeycutt

    Here is a film about Japan made by Americans, shot mostly in the U.S. and, of course, in English. Once you accept these compromises in the name of international filmmaking, none is a real deterrent to enjoying this lush period film.

    Read Full Review

  • See all Memoirs of a Geisha reviews at Metacritic.com

For Families provided by Common Sense Media

Iffy for 14+

Gorgeous, but slow-moving and not meant for kids.

What Parents Need to Know

Parents need to know that while this film is beautiful, it's slow-moving and occasionally scary, not designed for young children. The film includes some images of streets under siege (China and Japan are at war), as well as tensions inside the geisha house (one character sets fire to the house, leading to some frightening images). The film begins with the traumatic scene of a young girl sold to a geisha house by her poor parents, and shows her upset when she's forcibly separated from her sister, who works at another house.

  • Families can talk about the film's portrayal of geisha life: it is mysterious but also difficult. How does the film both "westernize" its characters and "exoticize" them, so they are both conventionally sympathetic and stereotypically "inscrutable"? How is Sayuri's love for the Chairman a function of romantic conventions more than a substantive relationship between the two characters? How is the idea of the geisha associated with "submissive" and servile women?

The good stuff
  • message true0

    Messages: Geishas compete ruthlessly, by embarrassing rivals or ruining reputations; geishas are expected to sell their virginity.

What to watch for
  • violence false3

    Violence: Young sisters are violently separated (leading to tears and loneliness); scenes of war and invasion; characters argue and fight (some slapping); a woman tries to burn down the geisha house.

  • sex false3

    Sex: Geishas do not technically sell sex, but rather, the idea of it: their "exotic" displays are seductive; a young woman is assaulted by a wealthy man.

  • language false0

    Language: Not an issue

  • consumerism false0

    Consumerism: Not an issue

  • drugsalcoholtobacco false3

    Drinking, drugs and smoking: Characters drink and smoke cigarettes.

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