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Marie Antoinette Review Critics


Dave White Profile

Young, dumb and full of cake … Read full review

Other Critics provided by

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 4.0

    out of 100

    Generally favorable reviews
    based on a weighted average of all
    critic review scores.

  • 100

    out of 100

    Chicago Sun-Times Roger Ebert

    Kristen Dunst is pitch-perfect in the title role.

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  • 50

    out of 100

    USA Today Claudia Puig

    With its ho-hum performances, muddled point of view, inert plot and pedestrian writing, all that's left to appreciate are the sumptuous costumes, elaborate hairstyles and rococo production design, which are not enough to sustain any movie, even one set in the gilded splendor of Versailles.

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  • 50

    out of 100

    Wall Street Journal

    Viewed through a contemporary lens and set mostly to a score of '80s pop tunes, this highly stylized, self-conscious enterprise -- really, a music video -- posits the misunderstood and vilified Marie, née Maria Antonia Josepha Johanna, as a figure in the mold of Diana, Princess of Wales.

  • 80

    out of 100

    The Hollywood Reporter Kirk Honeycutt

    In the revisionist Marie Antoinette, writer-director Sofia Coppola and actress Kirsten Dunst take a remote and no doubt misunderstood historical figure, the controversial and often despised Queen of France at the time of the French Revolution, and brings her into sharp focus as a living, breathing human being with flaws, foibles, passions, intelligence and warm affections.

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  • 83

    out of 100

    Entertainment Weekly Lisa Schwarzbaum

    Coppola's stranded royal suggests that at heart, Marie Antoinette was just a simple girl who wanted to have fun, and got her head handed to her.

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  • See all Marie Antoinette reviews at

For Families provided by Common Sense Media

OK for kids 14+

Teen queen rocks out in punk-scored biopic.

What Parents Need to Know

Parents need to know that this is a punk-rock version of history. While teens may enjoy the music, the movie's relatively slow pace might end up turning some of them off. For those of us who remember our history, she does indeed get beheaded, but it doesn't take place during the movie. There are a few scenes in which Marie appears naked (shown from the back or with her arms over her chest), but not in a titillating way, and there's some sexual allusion when a doctor asks Louis whether his body is "responsive." A couple of sex scenes show brief skin, the king's mistress is buxom and breathy, and there are a couple of birth scenes. This is French history, so naturally there's champagne and wine. In one scene, drugs are snorted and -- as is becoming all too usual in PG-13 movies -- there's smoking.

  • Families can talk about the movie's take on the famous 18th-century queen, presenting her as a raw teenage girl rather than a tyrannical royal. How can you tell that Marie feels isolated in her new court? Why does she get so caught up in shopping and partying? How is her behavior like that of today's teens? How is it different? How would you feel if you were in her position? Is it realistic to expect teenagers to rule a country? How do Marie and Louis XVI come to appreciate each another's limitations and support each another in the face of increasing criticism and -- eventually -- rejection by their subjects? Also, what do you think of the movie's music (which is unusual for a period piece)? Is it jarring or exciting?

The good stuff
  • message true0

    Messages: Iffy, but not atypical for privileged, insulated royals in the 18th century. The royals leave their unseen subjects to suffer poverty (this leads to the revolution); members of the Royal court gossip, sometimes cruelly; card-playing and gambling; adultery; constant partying.

What to watch for
  • violence false0

    Violence: References to offscreen violence: the American Revolutionary War (which France helps fund), and the French Revolution, which takes the form of a "mob" arriving at the palace with pitchforks and hoes; Marie's mother and an infant die offscreen.

  • sex false3

    Sex: Corsets and dramatically shaped gowns show cleavage; Marie appears naked (from front with arms over chest, from the back) in scenes where others dress her; Marie and Louis XVI appear in bed, worrying about not having sex/producing heirs and then, very briefly, having sex (not graphic); Marie's affair with a soldier appears in a sunny, sweet montage, with kissing, some lovemaking (with brief nudity); the King's mistress appears "sexed up" (ample bosom visible) and in a sexual situation with the king (having fun in bed, contrasted with Marie); references to "bosom," Louis XVI's "unconsummated marriage," the "royal bush," and "harlot." Lots of talk of Marie needing to conceive.

  • language false0

    Language: Sexual slang ("bush," etc.).

  • consumerism false0

    Consumerism: Marie is very materialistic; she shops constantly for clothes and shoes.

  • drugsalcoholtobacco false3

    Drinking, drugs and smoking: Drinking of expensive wine and champagne; in one scene, partiers snort powder; another shows partiers passing a pipe.