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J. Edgar Review

Movies.com Critics

2.5

Dave White Profile

From the mixed-up files of... Read full review

2.0

Grae Drake Profile

Oscar bait and switch. Read full review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 3.0
    59

    out of 100

    Metascore®
    Mixed or average reviews
    based on a weighted average of all
    critic review scores.

  • 20

    out of 100

    Wall Street Journal Joe Morgenstern

    J. Edgar, with Leonardo DiCaprio in the title role, is at war with itself, and everyone loses...Mr. Eastwood's ponderous direction, a clumsy script by Dustin Lance Black and ghastly slatherings of old-age makeup all conspire to put the story at an emotional and historical distance. It's a partially animated waxworks.

    Read Full Review

  • 75

    out of 100

    Entertainment Weekly Owen Gleiberman

    DiCaprio does more than disappear behind steely glasses and prosthetic old-age makeup. He transforms himself, in a feat of acting, from the inside out.

    Read Full Review

  • 75

    out of 100

    USA Today Claudia Puig

    J. Edgar shines a probing beam of light on a man who was widely feared, often disliked, but rarely understood.

    Read Full Review

  • 80

    out of 100

    The Hollywood Reporter Todd McCarthy

    This surprising collaboration between director Clint Eastwood and "Milk" screenwriter Dustin Lance Black tackles its trickiest challenges with plausibility and good sense, while serving up a simmeringly caustic view of its controversial subject's behavior, public and private.

    Read Full Review

  • See all J. Edgar reviews at Metacritic.com

For Families provided by Common Sense Media

OK for kids 15+

Well-acted biopic tackles complex character; OK for teens.

What Parents Need to Know

Parents need to know that this Clint Eastwood-directed biopic about longtime FBI Director J. Edgar Hoover (played by Leonardo DiCaprio) is rated R primarily for a couple of brief but notable scenes of strong language (including "f--k"). J. Edgar focuses on both Hoover's career and his personal life, especially the never-defined relationship with longtime companion Clyde Tolson (Armie Hammer). While the movie raises questions about Hoover's sexuality that it doesn't answer, there's no actual sex in it (though one scene features apparent recorded noises of an amorous couple). Expect a few violent fist fights and shoot outs.

  • Families can talk about Hoover's relationship with Tolson. Were they friends or more than friends? Do you think the film is asking a question that can never really be answered? Should it be?
  • Was Hoover a reliable narrator? Do you think his memories are accurate?
  • Do you consider Hoover a role model? What does the movie say about the motivations of people in a position of power? Are they always noble?

The good stuff
  • message true2

    Messages: The message at the heart of J. Edgar is to be true to yourself, or every part of your life will be based on a false foundation. The movie suggests that Hoover's inability to be honest about his own identity possibly contributed to an excess of zeal in criminal investigations of sometimes questionable legality.

  • rolemodels true1

    Role models: Hoover dedicates his life to the FBI and his country; while his devotion is admirable, his tactics are questionable, and it's far from clear that the people and groups he judges as criminal are really deserving of his barely constitutional methods. He also has personal animosity toward minorities and "radicals."

What to watch for
  • violence false2

    Violence: A few scenes feature fist fights and shoot outs.

  • sex false2

    Sex: The undefined nature of Hoover's relationship with his assistant makes the question of sex, and sexual identity, an important part of the film. One scene involves a surveillance audiotape that seems to have recorded the sounds of people having sex.

  • language false3

    Language: Infrequent swearing; when the words "c--ksucker" and "f--king" are heard (in two scenes), they stand out since the rest of the film is so lacking in profanity. Also "for God's sake" as an exclamation.

  • consumerism false0

    Consumerism: Not an issue

  • drugsalcoholtobacco false2

    Drinking, drugs and smoking: Some social drinking, though Hoover was a teetotaler and actively discouraged people from drinking, on and off the job. Some smoking (accurate for the time period).

Fan Reviews provided by

4

J. Edgar: B+ by MattH306
A very good biopic spanning the career of a fascinating individual.

4

Enjoyed It by PinkKitty77
If you are looking for special effects, lots of action or edge of your seat drama this movie is not for you. It is a thinking person's film and most likely because it is methodical in nature, if you are from the new age of constant over stimulation you will be dissapointed. It was really an in depth character study of a man that was brilliant gone radical and over zealous about all the wrong things. It reveals all his secrets and weaknesses, he got his karma, because basically he framed and revealed everyone else's character flaws while hiding his own. Only difference was they were usually in the height of power, while he has been long dead. The acting was great and over all the movie is a great bio-documentary for the old saying "Ultimate power ultimately corrupts." Definitely not for children, as they would not be able to relate and it would move way too slow for them. I really enjoyed it but DeCaprio's makeup for the older J. Edgar bothered me, looked too phoney.

4

J. Edgar is good but not great by ed_campbell
This is a slow-paced film shot in a moody, dim lighting. Leonardo DiCaprio does a great job with Hoover at the end of his life - you forget there's a much younger man inside. But for most of the film, DiCaprio's Hoover is shallow and without joy, an obsessive paranoid too long in the job, who uses the FBI's power to collect secret files and then blackmails whoever displeases him. But we never get the juicy details! Director Eastwood has chosen to focus Hoover's emotional energy more on his love interest with Agent Tolson and his distorted relationship with his mother, and less on, say, how the FBI went after gangsters during Prohibition. You know, some action!! The guy who plays Tolson does a terrific job, but I don't get much entertainment from guy-guy love relationships. And Tolson's makeup as an old man is truly weird... frightening even. So, had there been more roaring Packards and G-men with Tommy guns, more focus on the FBI itself, I would have liked J Edgar more.

3

J Edgar by janelaf
He was one of the most interesting men of the 20th. century. I happen to be old enough to remember Hoover & this movie did not tell his story. It was way to politically correct.

5

Excellent acting by Samaster
Trash acting like Twilight may make some bucks, but thank God our country still has some actors that really take acting seriously like Leonardo. Even if I don't like the subject in any of his films, there is true acting that most American actors have forgotten and instead they are just personalities. Great acting!!!

2

J. Edgar by Shir-dog
I was very disappointed with this movie. I was expecting some real insights into one of the major American personalities of the 20th century, but got a whitewashed drama (?) that was scant on the details of this most interesting character. There were brief references to Hoover's secret files, but nothing was revealed. There were allusions to wiretaps of JFK, but no details. There was talk about Hoover's more-than-quirky personality traits, but nothing definitive. It appears as if Eastwood shied away from any of the real controversy that existed around Hoover during his life and continued after his death. The acting was OK, but the over-abudance of makeup on particularly Hammer was a distraction. In this case, the reality of this movie did not live up to the hype.

4

Misdirection in many ways by poetrydoctor
This film is acceptable when it should, instead, be exceptional. Leonardo Dicaprio does a fine job acting. However, from what we now know, as a matter of historical fact, about J. Edgar, the film should have made a more politically and socially important statement. Yes, the film, in many ways, damns the man, as well he should be damned, but alas, as much as anything it dwells on his closet homosexuality. If, by revealing that side of Hoover, Clint Eastwood thinks people will think less of him, than Eastwood has picked a cheap way to show what a scoundrel and phony Hoover was. It's not that he loved his mother too much or had a secret homosexual past. Pity for him that he lived in a time when neither his mother nor society would allow him to be the homosexual man he needed to be. What the film should have spent its time on, and what it instead a backed away from, was a portrarit of a power-hungry and prejudice man who did tremendous damage to the country for decades and decades.

4

Dicaprio Was A Fantastic J. Edgar Hoover by lovethemovies1955
Fascinating lesson about the beginning of modern crime techniques. So much there I didn't know, including J Edgars Hoovers relationship with his top executive! What a paranoid, troubled man. Go, it is worth it. The movie is slow in pace but the beautiful cinematography and acting makes it compelling.

1

J. Edgar by vladisha
this movie comes off like the story of the creation of the FBI and how J. Edgar ran it but in reality is a story of a homosexual relationship between two men. Very dissappointed in being misled by the previews. Wasted my money

4

Leo's performance makes it by lindarein
In aiming for a balanced portrait of Hoover rather than delivering the hatchet job most people would expect, Eastwood has made a good if not great film. It covers a lot of ground historically, but doesn't dig very deep. One is left to draw one's own conclusions. DiCaprio is terrific as Hoover from youth to old age, and this has to count as perhaps his most fully realized performance to date. The screenplay fails to develop any of the other characters, and Eastwood is also to blame for casting choices and direction. As Edgar's mother, Judi Dench, pushing 80 and looking it, is too old in most of her scenes with Edgar, and her American accent is dreadful. Armie Hammer is out of his depth as Tolson, and his ghastly old-age makeup makes him look like an escapee from the set of The Walking Dead. Naomi Watts' character of the loyal secretary is never explored, which is luxury casting wasted. In sum, an A for Leo, a B for Eastwood.

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