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Hanna Review

Movies.com Critics

4.0

Dave White Profile

The Baby Bjorn Identity Read full review

4.0

Grae Drake Profile

Homicidal heckuva good time. Read full review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 4.0
    65

    out of 100

    Metascore®
    Generally favorable reviews
    based on a weighted average of all
    critic review scores.

  • 50

    out of 100

    Los Angeles Times Kenneth Turan

    Blessed with considerable virtues, including a clever concept, crackling filmmaking and a charismatic star, it ultimately squanders all of them, undone by an unfortunate lack of subtlety and restraint.

    Read Full Review

  • 50

    out of 100

    The Hollywood Reporter Todd McCarthy

    The overall enterprise, for all its intrigue and visceral impact, feels overly thought out, affected and forced in its stylization.

    Read Full Review

  • 60

    out of 100

    The New York Times Manohla Dargis

    In the end there might not be much to this tale other than titillation, but there's plenty to be said for Ms. Ronan, who was the best thing about "Atonement" and holds her ground against forceful screen presences like Ms. Blanchett and Mr. Bana.

    Read Full Review

  • 63

    out of 100

    USA Today Scott Bowles

    One of the coldest action films in years and an odd showcase for Saoirse Ronan, a deft actress who is one of the few youngsters capable of pulling off action with acting.

    Read Full Review

  • 70

    out of 100

    Village Voice

    Despite its handsome presentation and cinematic ingenuity, the film never really goes beyond superficial pleasures.

    Read Full Review

  • 80

    out of 100

    Variety Justin Chang

    An exuberantly crafted chase thriller that pulses with energy from its adrenaline-pumping first minutes to its muted bang of a finish.

    Read Full Review

  • 83

    out of 100

    Entertainment Weekly Lisa Schwarzbaum

    Hanna's intriguing, disorienting pleasures - the movie is part poetic dreamscape, part sinister spy saga - lie more in the filmmaking flourishes than in the narrative.

    Read Full Review

  • 88

    out of 100

    Chicago Sun-Times Roger Ebert

    Here we have an odd cross between a fairy tale and a high-tech action movie. It could have been a fairly strained attempt at either, but director Joe Wright ("Atonement") combines his two genres into a stylish exercise that perversely includes some sentiment and insight.

    Read Full Review

  • 88

    out of 100

    ReelViews James Berardinelli

    Although it would be an exaggeration to claim that Hanna "has it all," it is a richer and more compelling white-knuckler than the average roller coaster ride into tension and mystery.

    Read Full Review

  • See all Hanna reviews at Metacritic.com

For Families provided by Common Sense Media

Iffy for 14+

Violent thriller is a high-stakes teen-assassin tale.

What Parents Need to Know

Parents need to know that this action thriller is surprisingly bloody and violent, pushing the limits of the PG-13 rating. There's a startling amount of very realistic violence, even though many of the action sequences are shot in a stylized, rapidly edited manner. Characters are killed in all manner of ways -- with arrows, knives, guns, fists, and everyday objects turned into weapons. With such a high body count and so many bloody deaths (including the torture and implied deaths of innocent bystanders), the movie is pretty iffy for younger teens. In addition to the violence, there's some sexuality (a married couple is overheard making love, and teenagers briefly kiss or try to kiss) and language, including one memorable "f--k." And, ultimately, the movie's messages are fairly negative, suggesting that if you have killer instincts, it's your destiny to give in to them.

  • Families can talk about the amount of violence in the movie. Is it always necessary to show how Hanna kills? Would the movie have been better or worse with less graphic violence?
  • Marissa says that children can be bad people, too. What do you think about the popularity of young "assassins" like Hanna and Hit Girl, or even Katniss in the Hunger Games books? Why is there so much appeal in female warriors?

The good stuff
  • message true0

    Messages: Most of the negativity revolves around whether it was Hanna's destiny to be the kind of trained killer she is or whether her father had a choice and could have raised her in a more peaceful manner. Marissa is an unredeeming villain who values herself over everyone else.

  • rolemodels true0

    Role models: Except for Hanna's grandmother, there are few positive role models here. Even Hanna's father has ulterior motives and brings her up to become a tool of vengeance. Sophie's parents seem loving, open-minded, and caring, but their concern is overshadowed by the selfishness and cruelty displayed by Marissa, who's a very cold-hearted villain.

What to watch for
  • violence false4

    Violence: From the opening scene -- when Hanna hunts down a large elk with an arrow and finishes it off with a bullet -- to the final moment, when two characters face off, there's barely a scene in the movie without some form of violence. Hanna's father trains her by sparring hand-to-hand and with various weapons. Major and secondary characters are killed in various ways -- bullets to the head or heart, slit throats, arrows to the heart, smashed skulls, knives to the gut, snapped necks, and more. Unlike superhero movies, the violence is realistic and at times quite bloody. Innocent bystanders who've met or spoken to Hanna end up tortured or killed.

  • sex false2

    Sex: Hanna and Sophie flirt with and then go on a date with two attractive guys. Sophie and her date kiss, but violence gets in the way of Hanna kissing hers. Sophie's parents have loud, camper-van-shaking sex; viewers hear them moaning while Sophie comments about them being "like rabbits." A woman practices a dance at a club, and the owner tells someone she has male and female genitalia, but nothing is shown.

  • language false3

    Language: One loud "f--k," plus a few uses of "s--t," "damn," "oh my God," and English slang like "mental" and "bugger."

  • consumerism false1

    Consumerism: There's a close-up of Marissa's green Prada shoes. Villains drive in a white Range Rover.

  • drugsalcoholtobacco false1

    Drinking, drugs and smoking: Adults are shown with drinks in hand in a couple of brief scenes at a club and at a dinner.

Fan Reviews provided by

3

hanna by sevin1307
i wanted to ike this movie. in fact, i wanted to love this movie. this type of story is usually my favorite: psychological drama/action thriller... but the storyline was lame and predictable. there were no real surprises or twists in the plot, and i felt that while i always love cate blanchette, and the characters she plays, this one was one dimentional, cartoonish, even... there was no explanation given for the reason the project was terminated in the first place, and several other details i wish not to reveal in case someone reading this has not already seen the movie. i will probably see it again on dvd, to see if there was something i missed that would make the experience richer and more multidimensional next time. i would rate this film C+ for lack of creativity and predictability. A+ for casting and cinematography. this is smilla's sense of snow meets bourne identity meets run lola run...

4

by Thbjones

4

by flowerodesert

4

by lordoetl

3

Wait for the DVD by Seymour_Phyllms
Not the best; not the worst. The movie could have been much better, such as - Hanna discovers Marissa Weigler was her mother. But, she isn't so the movie lacked the emotional depth needed for a truely good movie. In the end, we experience no real growth in the character. She is left all alone and devoid of any real substance.

4

Hanna by EleanorFowler
We really enjoyed the almost non stop action. The young lady playing Hanna was wonderful. it's a great movie for young teens too, my daughter went with a friend and they also enjoyed it. The girls came out of the movie saying "I missed your heart" with blank cold faces

3

by Bashorh

4

by lizcass

3

Hanna Review 9/10 by el_que_critica
I have chosen to give this a simple rating approach and that is as follows. Its either "Movie Theater Worthy" or "Not Movie Theater Worthy" and then we also have the "If You Just Want to go to the Movie's Movie" - so with that beings said this earns a rating of: "Not Movie Theater Worthy". Granted I did watch this film after it was out of the theater but Im sure glad I waited. At times it seemed as if the whoever was producing/directing this film got distracted numerous times during the movie and was filming an entirely different movie.

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