Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.
out of 100
Metascore®Generally favorable reviewsbased on a weighted average of allcritic review scores.
Like "Father of My Children," Goodbye First Love loosely fictionalizes lived experience in order to capture the ineffable - in this case, emotional maturation or, as Sullivan phrases it, "becom[ing] a real person."
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We think of first love as sweet and valuable, a blessed if hazardous condition. This film, deeper than it seems, dares to suggest that beyond a certain point, it can represent a tragedy.
The present picture, filmed with supreme confidence, offers another unapologetically sentimental story stripped to its emotional core.
Arthouse audiences could drink this down like a glass of Chardonnay.
Nothing is rushed, everything is given its appropriate time and place. When we watch Hansen-Løve's films, we're not only experiencing a life unfolding before us, we're also realizing what a great privilege it is to be able to do that.
Mr. Urzendowsky, with his dark curls, fine cheekbones and sad eyes, is a very credible first love, while Ms. Créton uncannily captures Camille's resolution as well as her almost willful vulnerability.
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very good by danbacaphoto i really liked it.
looks boring
