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A Chorus Line Review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 3.0
    46

    out of 100

    Metascore®
    Mixed or average reviews
    based on a weighted average of all
    critic review scores.

  • 10

    out of 100

    Wall Street Journal Julie Salamon

    When director Richard Attenborough isn't mangling dance numbers, he's focusing on a love story expressed almost entirely by means of close-ups of moony faces and teary eyes. [12 Dec 1985]

  • 30

    out of 100

    The New York Times Vincent Canby

    A Chorus Line is less a movie than an expensive souvenir program.

    Read Full Review

  • 40

    out of 100

    Los Angeles Times Sheila Benson

    In this stately and fairly slavish representation, directed by Richard Attenborough, what pokes through with the pain of a broken bone is how thin the material really is. [12 Dec 1985]

  • 50

    out of 100

    Time Richard Corliss

    The film, though, lies dormant in its own decency.

    Read Full Review

  • 70

    out of 100

    Variety

    Chorus often seems static and confined, rarely venturing beyond the immediate. Attenborough merely films the stage show as best he could.

    Read Full Review

  • 75

    out of 100

    Chicago Tribune Gene Siskel

    A classic play has been reduced a decent movie. It's a shame it couldn't be as good as the play; it's a small pleasure that it's as entertaining as it is. [20 Dec 1985]

  • 88

    out of 100

    Chicago Sun-Times Roger Ebert

    This is one of the most intelligent and compelling movie musicals in a long time - and the most grown up.

    Read Full Review

  • See all A Chorus Line reviews at Metacritic.com

For Families provided by Common Sense Media

OK for kids 15+

Sexy Broadway classic gets disappointing 1980s remake.

What Parents Need to Know

Parents need to know that this 1985 movie inspired by the long-running, award-winning Broadway musical is filled with the memorable music and characters that made the show the icon it is today. That said, the subject matter—finding one’s sexuality, the toll of dysfunctional families, the drudgery and joy of a chorus member’s life— may go over the heads of tweens and younger. (There are some songs that pertain to bodily changes that happen when one is a teenager.) There’s some swearing, suggestive dancing, and numerous references to sexual awakening and body parts. Some frank discussion of sex, too.

  • Families can talk about the appeal of hearing other people’s troubles and secrets. Many of the characters in the film (and the stage version) reveal personal difficulties. Does it show that one can’t judge a book by the proverbial cover?
  • How does this film compare to other movies inspired by Broadway plays and musicals? Does it do a good job? What are the challenges and payoffs of adapting a stage show?

The good stuff
  • message true3

    Messages: A pretty powerful message: What you do, you do for love. And that’s what sustains when the day-to-day grind seems overwhelming and difficult.

  • rolemodels true3

    Role models: Nearly everyone on the cast is a role model in one form or the other: the actress who tasted success but isn’t too proud to go back to her roots; the boy who decided he could dance as well as, or even better than, his sister and isn’t daunted by other people’s expectations; the choreographer who reminds everyone to “be yourself.” Some characters appear somewhat traumatized by their past, but they have found an outlet to set them free: dancing.

What to watch for
  • violence false0

    Violence: Not an issue

  • sex false2

    Sex: A whole song talking about what a guy’s “first time” making love was like, and what subsequent couplings were like. Another song mentions “t-ts and ass,” and how a woman is measured primarily by looks and not talent, necessitating breast implants and a nose job so she can trade on her looks. Another song about physical transformations that happen when one is a teenager. A dancer sings about how he learned about sex. Also, some suggestive dance moves.

  • language false3

    Language: “Bullsh-t,” “friggin,” “sh-t,” “g-dd-mn,” and the F-word.

  • consumerism false0

    Consumerism: Not an issue

  • drugsalcoholtobacco false0

    Drinking, drugs and smoking: Not an issue

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