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Becoming Jane Review

Movies.com Critics

4.0

Dave White Profile

Maggie Smith slices everyone to ribbons … Read full review

Other Critics provided by Metacritic.com

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 3.0
    55

    out of 100

    Metascore®
    Mixed or average reviews
    based on a weighted average of all
    critic review scores.

  • 40

    out of 100

    Los Angeles Times Carina Chocano

    It's neither very original nor very convincing. "Shakespeare in Love" did something similar by casting its writer protagonist as the hero of a story he himself might have written, but Becoming Jane lacks that movie's wit and playfulness.

    Read Full Review

  • 50

    out of 100

    The New York Times Stephen Holden

    The screenplay's pseudo-Austen tone is so consistent that its lapses into modern romance-novel fantasy threaten to derail the film.

    Read Full Review

  • 50

    out of 100

    Wall Street Journal

    Austen comes off here more as stenographer than writer. Worse, the movie has Tom Lefroy as her condescending guide.

    Read Full Review

  • 75

    out of 100

    Entertainment Weekly Owen Gleiberman

    Becoming Jane has a burnished feminine sadness, and the director, Julian Jarrold, gives it a creamy-dark visual flow.

    Read Full Review

  • 75

    out of 100

    Chicago Sun-Times Roger Ebert

    The way all of this plays out is acted warmly by the principals, and Eigil Bryld's photography (of Ireland) makes England look breathtakingly green and inviting. The director, Julian Jarrold ("Kinky Boots" and the TV version of "White Teeth") is comfortable with the material, and it is comfortable with him.

    Read Full Review

  • 80

    out of 100

    Variety Derek Elley

    An ersatz "Pride and Prejudice" in all but name, Becoming Jane is a finely tooled Brit-lit costumer that, like Anne Hathaway's flawless accent as the young Austen, lacks only that final convincing 5%.

    Read Full Review

  • 88

    out of 100

    USA Today Claudia Puig

    If one were to fuse the literary sensibility of Jane Austen with the fanciful imaginative license of "Shakespeare in Love," what would emerge would likely be the charming tale Becoming Jane.

    Read Full Review

  • See all Becoming Jane reviews at Metacritic.com

For Families provided by Common Sense Media

OK for kids 12+

A witty, winning Austen bio for tweens and older.

What Parents Need to Know

Parents need to know that this film is a delightful exercise in imagination. No one truly knows whether Jane Austen and Tom Lefroy shared a grand passion, but the movie makes a great case for it. It's a romantic, often funny tale that tweens and teens will enjoy, though there are parts that could prove dicey for younger audiences, including a sexual interlude between Jane's parents and a brazen flirtation between an older woman and a younger man. (The banter may also go a little too fast for them to understand.) The language is sometimes complicated for younger audiences ("impecunious"), but it's fairly innocuous, except for one expletive ("s--t").

  • Families can talk about why Tom's uncle thinks Jane isn't worthy of marriage and why they couldn't simply decide to be together. What standards were in place at the time? Do these requirements seem cruel or unjust?

The good stuff
  • message true0

    Messages: For the most part, everyone's on his or her best behavior, but there's a lot of pressure from society to act in certain ways which Austen views criticall and which gives rise to prejudices (a rich matron looks down on those without money and treats them with disdain) and acts of rebellion (Lefroy, at least in the beginning of the movie, drinks and fights in bars).

What to watch for
  • violence false3

    Violence: A few characters box in a bar; basically, they brawl while others bet on their match, and the results are quite bloody.

  • sex false3

    Sex: Save for one humorous but surprisingly risqué scene in which Jane's father hints at performing oral sex on his wife under the covers, the movie is quite chaste. Some kissing and lots of flirting; an older woman seduces a younger man, who's all too willing to return the favor. Also, Lefroy and his friends frequent a brothel, where women revealing much cleavage proposition men.

  • language false0

    Language: Mostly clean, though "s--t" is uttered once, and there are a few "dammits" sprinkled in. Also, some women are referred to as "whores."

  • consumerism false0

    Consumerism: Not an issue

  • drugsalcoholtobacco false3

    Drinking, drugs and smoking: Some drinking in bars; wine for toasting and dinners.

Fan Reviews provided by

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