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Abduction Review Critics


Dave White Profile

Here to abduct your allowance. Read full review


Grae Drake Profile

A lot of Lautner and nothing else Read full review

Other Critics provided by

Critics scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 2.0

    out of 100

    Generally unfavorable reviews
    based on a weighted average of all
    critic review scores.

  • 25

    out of 100

    ReelViews James Berardinelli

    Perhaps the only way to approach Abduction that will not result in a 105-minute boredom-induced coma is to think of it as a comedy, preferably with a drinking game attached. There are laughs to be had, although none of them are intentional.

    Read Full Review

  • 38

    out of 100

    USA Today Claudia Puig

    Filled with laughable dialogue, Abduction goes nowhere.

    Read Full Review

  • 40

    out of 100

    The Hollywood Reporter Todd McCarthy

    Singleton's action thriller has a decent sense of propulsion but, after a faintly intriguing start, the convoluted plot mechanics overwhelm everything else, making you feel you're watching a detailed blueprint for a movie, and an increasingly far-fetched one in the bargain.

    Read Full Review

  • 50

    out of 100

    Entertainment Weekly Owen Gleiberman

    Director John Singleton offers bits of suspense, but Abduction is less a movie than a piece of engineering, a glumly ludicrous cat-and-mouse blowout designed to win Lautner male fans along with his girl demo.

    Read Full Review

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For Families provided by Common Sense Media

OK for kids 14+

Underwhelming action thriller has deaths, violence.

What Parents Need to Know

Parents need to know that this action thriller stars Twilight hunk Taylor Lautner and rising star Lily Collins, so it's sure to attract teens. But there's a fair bit of violence, language, and intrigue that might make it too mature for tween members of Team Jacob. The more intense sequences include several character deaths, execution-style shootings, sniper kills, and a couple of brutal beatings, one of which results in a man being chucked out of a speeding train. Even the teen girl is terrorized and beaten. (All of that said, there's not a lot of blood here.) Swearing includes "s--t," "ass," and one "f--k"); sexuality is mostly flirting, hand holding, and slow dancing -- plus one heated make-out session between teens. An early scene shows teens drinking, including the main character, who gets very drunk.

  • Families can talk about the amount of violence in the film. Is it cartoonish and unbelievable or realistic and disturbing? How does that affect its impact?

  • What are some other movies that feature the "hidden identity" theme? Why do audiences respond to orphaned characters? Name some other famous pop-culture orphans.

  • How does the movie portray teen drinking? Does it have realistic consequences?

The good stuff
  • message true1

    Messages: The only positive message in the movie is when Nathan's birth father says "I may be your father, but I'm not your dad," indicating that the couple who raised him are Nathan's true mother and father.

  • rolemodels true1

    Role models: Nathan and Karen stick together, even when it would be easier for him to go off on his own, and they're courageously willing to put themselves in harm's way for each other. Nathan comes to understand why his parents demanded that he know how to defend himself and why they kept his true identity a secret.

What to watch for
  • violence false3

    Violence: Suspense and action-movie violence featuring hand-to-hand brawls and weapons (mostly guns, but there's also a bomb). Nathan and his father have an extended "sparring" scene that bruises them both up and makes a hungover Nathan vomit. Although many characters are killed -- people are shot both execution style and from a sniper's distance, beaten mercilessly, thrown off a train, and blown up in an explosion -- there's very little blood. One of the most upsetting scenes is when a young girl is forced into a room and punched and terrorized by a hit man.

  • sex false2

    Sex: Parents are especially affectionate and do a touchy-feely slow dance that their son sees. A guy keeps staring intently at a girl and vice-versa. At a pool party, some girls are shown in bikinis. Nathan is shirtless in a few scenes. After an intense couple of days of hand holding and near-death experiences, Nathan and Karen share a passionate kiss that ends up with her straddling him and his hands creeping up the back of her shirt.

  • language false3

    Language: One "f--k," plus regular use of words including "bulls--t," "s--t," "ass," "d--k," "hell," "freak," "Jesus" (as an exclamation) and "damn."

  • consumerism false2

    Consumerism: An Apple laptop makes a few close-up appearances, as do an Amtrak train, an Audi, a Mustang, a BMW, and a Lexus. Major League Baseball's Pittsburgh Pirates must have cooperated with the film, because a game is part of a climactic sequence; PNC Park, Pirates paraphernalia, and the stadium's famous Roberto Clemente statue are all on full display, and Nathan wears a Clemente jersey.

  • drugsalcoholtobacco false2

    Drinking, drugs and smoking: In the opening sequence, a bunch of high-schoolers drink at a weekend party. Nathan gets drunk and wakes up shirtless on the hostess' lawn. He later vomits after being forced to spar with his father.