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Mote I Natten


Swedish actress Eva Dahlbeck was one busy lady in 1945-46, though not quite as busy as actor-writer-director Hasse Ekman. Somehow, Dahlbeck and Ekman found time to combine their talents in Mote I Natten. The title translates as Night Meeting, indicating that the film is "noir-ish" in nature. Unlike previous Swedish thrillers, which favored psychology over violence, Mote I Natten plays like an old-fashioned serial, with the protagonists placed in dire jeopardy more than once. Director Ekman seems...more