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The Man Who Shot Liberty Valance Details


Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. The film opens in 1910, with distinguished and influential U.S. senator Ransom Stoddard (James Stewart) and his wife Hallie (Vera Miles) returning to the dusty little frontier town where they met and married twenty-five years earlier. They have come back to attend the funeral of impoverished "nobody" Tom Doniphon (John Wayne). When a reporter asks why, Stoddard relates a film-long flashback. He recalls how, as a greenhorn lawyer, he had run afoul of notorious gunman Liberty Valance (Lee Marvin), who worked for a powerful cartel which had the territory in its clutches. Time and again, "pilgrim" Stoddard had his hide saved by the much-feared but essentially decent Doniphon. It wasn't that Doniphon was particularly fond of Stoddard; it was simply that Hallie was in love with Stoddard, and Doniphon was in love with Hallie and would do anything to assure her happiness, even if it meant giving her up to a greenhorn. When Liberty Valance challenged Stoddard to a showdown, everyone in town was certain that the greenhorn didn't stand a chance. Still, when the smoke cleared, Stoddard was still standing, and Liberty Valance lay dead. On the strength of his reputation as the man who shot Valance, Stoddard was railroaded into a political career, in the hope that he'd rid the territory of corruption. Stoddard balked at the notion of winning an election simply because he killed a man-until Doniphon, in strictest confidence, told Stoddard the truth: It was Doniphon, not Stoddard, who shot down Valance. Stoddard was about to reveal this to the world, but Doniphon told him not to. It was far more important in Doniphon's eyes that a decent, honest man like Stoddard become a major political figure; Stoddard represented the "new" civilized west, while Doniphon knew that he and the West he represented were already anachronisms. Thus Stoddard went on to a spectacular political career, bringing extensive reforms to the state, while Doniphon faded into the woodwork. His story finished, the aged Stoddard asks the reporter if he plans to print the truth. The reporter responds by tearing up his notes. "This is the West, sir, " the reporter explains quietly. "When the legend becomes fact, print the legend." Dismissed as just another cowboy opus at the time of its release, The Man Who Shot Liberty Valance has since taken its proper place as one of the great Western classics. It questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. ~ Hal Erickson, Rovi

  • Release date:April 22, 1962


Awarded by
Academy of Motion Picture Arts and Sciences Edith Head Best Black and White Costume Design 1962 Nominee


John Wayne
as Tom Doniphon
James Stewart
as Ransom Stoddard
Vera Miles
as Hallie Stoddard
Lee Marvin
as Liberty Valance
Edmond O'Brien
as Dutton Peabody
Andy Devine
as Link Appleyard
Ken Murray
as Doc Willoughby
John Carradine
as Maj. Cassius Starbuckle
Jeanette Nolan
as Nora Ericson
John Qualen
as Peter Ericson
Woody Strode
as Pompey
Denver Pyle
as Amos Carruthers
Strother Martin
as Floyd
Lee Van Cleef
as Reese
Robert Simon
as Handy Strong
Paul Birch
as Mayor Winders
Joseph Hoover
as Hasbrouck
Stuart Holmes
Blackie Whiteford
Jack Pennick
as Barman
Chuck Roberson
as Henchman
Helen Gibson
Earl Hodgins
as Clue Dumfries
Jack Kenny
Slim Talbot
Gertrude Astor
Ted Mapes
as Highpockets
Edward Jaurequi
as Drummers
Larry Finley
as Bar X Man
Eva Novak
Anna Lee
as Mrs. Prescott, widow in stage hold-up
Buddy Roosevelt
Mario Arteaga
as Henchman
Shug Fisher
as Drunk
William Henry
Robert Donner
Charles Seel
as President, election council
Willis B. Bouchey
as Jason Tully
Danny Borzage
as Townsman
Ralph Volkie
as Townsman
Sam Harris
Carleton Young
as Maxwell Scott


John Ford
John Ford
Willis Goldbeck
Willis Goldbeck
William H. Clothier
Alfred Newman
Composer (Music Score)
Cyril Mockridge
Composer (Music Score)
Otho Lovering
Hal Pereira
Production Designer
Eddie Imazu
Production Designer
Sam Comer
Set Designer
Darrell Silvera
Set Designer
Edith Head
Costume Designer
Wingate Smith
First Assistant Director
Wally Westmore