| British Academy of Film and Television Arts |
Howard Shore |
Best Original Music |
2011 |
Nominee |
| Hollywood Foreign Press Association |
Howard Shore |
Best Original Score |
2011 |
Nominee |
| Broadcast Film Critics Association |
Howard Shore |
Best Score |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Howard Shore |
Best Original Score |
2011 |
Nominee |
| British Academy of Film and Television Arts |
Jan Archibald |
Best Makeup and Hair |
2011 |
Nominee |
| British Academy of Film and Television Arts |
John Midgley |
Best Sound |
2011 |
Winner |
| Academy of Motion Picture Arts and Sciences |
John Midgley |
Best Sound Mixing |
2011 |
Winner |
| Academy of Motion Picture Arts and Sciences |
Joss Williams |
Best Visual Effects |
2011 |
Winner |
| British Academy of Film and Television Arts |
Joss Williams |
Best Special Visual Effects |
2011 |
Nominee |
| British Academy of Film and Television Arts |
Morag Ross |
Best Makeup and Hair |
2011 |
Nominee |
| Broadcast Film Critics Association |
Asa Butterfield |
Best Young Actor/Actress |
2011 |
Nominee |
| British Academy of Film and Television Arts |
Philip Stockton |
Best Sound |
2011 |
Winner |
| Academy of Motion Picture Arts and Sciences |
Philip Stockton |
Best Sound Editing |
2011 |
Winner |
| British Academy of Film and Television Arts |
Tom Fleischman |
Best Sound |
2011 |
Winner |
| Academy of Motion Picture Arts and Sciences |
Tom Fleischman |
Best Sound Mixing |
2011 |
Winner |
| Hollywood Foreign Press Association |
Martin Scorsese |
Best Director |
2011 |
Winner |
| Boston Society of Film Critics |
Martin Scorsese |
Best Director |
2011 |
Winner |
| National Board of Review |
Martin Scorsese |
Best Director |
2011 |
Winner |
| L.A. Film Critics Association |
Martin Scorsese |
Best Director (Runner-up) |
2011 |
Winner |
| British Academy of Film and Television Arts |
Martin Scorsese |
Best Director |
2011 |
Nominee |
| Producers Guild of America |
Martin Scorsese |
Best Picture |
2011 |
Nominee |
| Broadcast Film Critics Association |
Martin Scorsese |
Best Director |
2011 |
Nominee |
| Detroit Film Critics Society |
Martin Scorsese |
Best Director |
2011 |
Nominee |
| National Society of Film Critics |
Martin Scorsese |
Best Director |
2011 |
Nominee |
| Directors Guild of America |
Martin Scorsese |
Outstanding Directorial Achievement |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Martin Scorsese |
Best Director |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Martin Scorsese |
Best Picture |
2011 |
Nominee |
| British Academy of Film and Television Arts |
Thelma Schoonmaker |
Best Editing |
2011 |
Nominee |
| Broadcast Film Critics Association |
Thelma Schoonmaker |
Best Editing |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Thelma Schoonmaker |
Best Editing |
2011 |
Nominee |
| American Cinema Editors Guild |
Thelma Schoonmaker |
Best Edited Feature - Drama |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Robert Richardson |
Best Cinematography |
2011 |
Winner |
| British Academy of Film and Television Arts |
Robert Richardson |
Best Cinematography |
2011 |
Nominee |
| American Society of Cinematographers |
Robert Richardson |
Best Cinematography |
2011 |
Nominee |
| Broadcast Film Critics Association |
Robert Richardson |
Best Cinematography |
2011 |
Nominee |
| National Society of Film Critics |
Robert Richardson |
Best Cinematography |
2011 |
Nominee |
| Writers Guild of America |
John Logan |
Best Adapted Screenplay |
2011 |
Nominee |
| Broadcast Film Critics Association |
John Logan |
Best Adapted Screenplay |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
John Logan |
Best Adapted Screenplay |
2011 |
Nominee |
| British Academy of Film and Television Arts |
Sandy Powell |
Best Costume Design |
2011 |
Nominee |
| Broadcast Film Critics Association |
Sandy Powell |
Best Costume Design |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Sandy Powell |
Best Costume Design |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Rob Legato |
Best Visual Effects |
2011 |
Winner |
| British Academy of Film and Television Arts |
Rob Legato |
Best Special Visual Effects |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Ben Grossmann |
Best Visual Effects |
2011 |
Winner |
| British Academy of Film and Television Arts |
Ben Grossmann |
Best Special Visual Effects |
2011 |
Nominee |
| British Academy of Film and Television Arts |
Dante Ferretti |
Best Production Design |
2011 |
Winner |
| L.A. Film Critics Association |
Dante Ferretti |
Best Production Design |
2011 |
Winner |
| Art Directors Guild |
Dante Ferretti |
Best Art Direction in a Period Film |
2011 |
Nominee |
| Broadcast Film Critics Association |
Dante Ferretti |
Best Art Direction |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Dante Ferretti |
Best Art Direction |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Alex Henning |
Best Visual Effects |
2011 |
Winner |
| British Academy of Film and Television Arts |
Eugene Gearty |
Best Sound |
2011 |
Winner |
| Academy of Motion Picture Arts and Sciences |
Eugene Gearty |
Best Sound Editing |
2011 |
Winner |
| Academy of Motion Picture Arts and Sciences |
Francesca Lo Schiavo |
Best Art Direction |
2011 |
Winner |
| British Academy of Film and Television Arts |
Francesca Lo Schiavo |
Best Production Design |
2011 |
Nominee |
| Broadcast Film Critics Association |
Francesca Lo Schiavo |
Best Art Direction |
2011 |
Nominee |
| Producers Guild of America |
Graham King |
Best Picture |
2011 |
Nominee |
| Academy of Motion Picture Arts and Sciences |
Graham King |
Best Picture |
2011 |
Nominee |