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Begotten

Synopsis

A "metaphysical splatter film" that was praised by Susan Sontag as "one of the 10 most important films of modern times," Begotten is a very grainy, often powerful work of experimental cinema which seems to land somewhere between David Lynch's surreal Eraserhead and James Broughton's heavily symbolic Dreamwood. The film opens with God Killing Himself: a man in rags slicing into his own belly as he spews dark fluid and oozes filth. Mother Earth emerges, or is born, from this excoriation and travels to a...more

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