One of the horror genre's best-known and most celebrated directors, Wes Craven has been widely credited with reinventing the teen horror movie. Initially gaining fame and notoriety for his [[Feature~V281377~Nightmare on Elm Street~anightmareonelmstreet[filmseries]]] series in the 1980s, Craven enjoyed a second wave of popularity in the 1990s with his phenomenally successful [[Feature~V136657~Scream~scream]] series, which spoofed the teen horror genre even as they revived it. The films kicked off a trend in teen horror films, inspiring any number of imitators that, for the most part, failed to live up to Craven's own work.
A product of a strict Baptist upbringing in Cleveland, OH, Craven received a B.A. in Psychology and Education from Wheaton College and earned an M.A. in Philosophy from Johns Hopkins University. After teaching humanities for awhile, Craven plunged into filmmaking as a production assistant and editor for several "B" companies. He made his directorial debut with [[Feature~V28336~Last House on the Left~lasthouseontheleft]] (1972), a gruesome little effort that, to put it mildly, affected different people in different ways. Some viewers found this repellently staged "revenge for rape" story profound, citing the fact that Craven based the movie on [[Performer~P81548~Ingmar Bergman~ingmarbergman]]'s [[Feature~V52855~Virgin Spring~thevirginspring]]; others, including such mainstream commentators as [[Performer~P44924~Leonard Maltin~leonardmaltin]], have condemned [[Feature~V28336~Last House on the Left~lasthouseontheleft]] as utter excrement. No matter how one felt about Craven, however, one could not deny his power to manipulate his audience. This power was further evidenced with [[Feature~V22470~The Hills Have Eyes~thehillshaveeyes]] (1977), which again met with radically divided opinions -- and made a fortune.
With [[Feature~V48050~Swamp Thing~swampthing]] (1982), Craven graduated to big budgets, and also revealed a gift for comedy. [[Feature~V281377~Nightmare on Elm Street~anightmareonelmstreet[filmseries]]] (1984) was an equally effective blend of gore and grim humor which spawned several sequels and served to introduce the world to Freddy Krueger, vengeful specter par excellence. The popularity of the film and its sequels established Craven as a force to be reckoned with in Hollywood, although he was only directly involved with two of the six sequels. In 1994, he directed [[Feature~V133863~Wes Craven's New Nightmare~wescravensnewnightmare]], a [[Performer~P218245~Pirandellian~luigipirandello]] affair in which he and [[Feature~V281377~Nightmare~anightmareonelmstreet[filmseries]]] cast regulars [[Performer~P89017~Robert Englund~robertenglund]], [[Performer~P40456~Heather Langenkamp~heatherlangenkamp]], and [[Performer~P110020~John Saxon~johnsaxon]] played "themselves" -- as did Freddy Kruger!
Two years later, Craven experienced another milestone in his career with [[Feature~V136657~Scream~scream]]. The success of the film and its numerous imitators effectively established Craven as a hot mainstream commodity, and he followed the film with the equally successful (though not as critically praised) [[Feature~V158873~Scream 2~scream2]] the following year. In 1999, he effected a radical departure from the genre with [[Feature~V180992~The Music of the Heart~musicoftheheart]], a sentimental drama that starred [[Performer~P68676~Meryl Streep~merylstreep]] as a violin teacher who brings music to the lives of children in Spanish Harlem. The film was quickly dismissed by audiences and critics alike, and, in 2000, Craven returned to more familiar territory with [[Feature~V181888~Scream 3~scream3]], the latest in his in saga of hip, ironic terror. When production difficulties and poor audience reaction resulted in [[Feature~V286558~Cursed~cursed]] failing to do for werewolf films what the [[Feature~V136657~Scream~scream]] franchise did for slashers, Craven quickly switched gears to [[Performer~P94487~Hitchcockian~alfredhitchcock]] suspense for the airborne thriller [[Feature~V313930~Red Eye~redeye]]. Lean, mean, and ultimately fairly forgettable, [[Feature~V313930~Red Eye~redeye]] did manage to keep viewers on the edge of their seats for (a scant) 85 minutes even if it didn't exactly have the legs to leave a lasting impression. Nevertheless, [[Feature~V313930~Red Eye~redeye]] did hold a special place in Craven's heart as during filming the director was wed to film producer [[Performer~P98431~Iya Labunka~iyalabunka]].
Back on the writing block, Craven would adapt [[Performer~P236813~Kiyoshi Kurosawa~kiyoshikurosawa]]'s apocalyptic 2001 shocker [[Feature~V246216~Pulse~pulse]] for American consumption before allowing his 1977 screenplay for [[Feature~V22470~The Hills Have Eyes~thehillshaveeyes]] to be updated by [[Feature~V290219~High Tension~hightension]] screenwriting duo [[Performer~P271139~Alexandre Aja~alexandreaja]] and [[Performer~P273200~Gregory Levasseur~gregorylevasseur]]. The updated version was such a success that it gave birth to a sequel, [[Feature~V355445~The Hills Have Eyes 2~thehillshaveeyes2]], which was released in 2007. Later returning to the director's chair for a segment of Paris, je t'aime (2006) and the high-concept teen-slasher flick My Soul to Take (2010), Craven revisited one of his most famous horror franchises when he reteamed with Scream screenwriter Kevin Williamson to resurrect Ghostface Scream 4 (2001).
Craven has occasionally curbed his stomach-churning tendencies (though not his willingness to run viewers through an emotional wringer) with his television work, including selected episodes of the [[Feature~V286473~Twilight Zone~thetwilightzone[tvseries]]] revival of the mid-'80s. In 1989, Craven produced a sitcom, The People Next Door, about a cartoonist who had the ability to imagine his drawings into existence. ~ Hal Erickson, Rovi