Working with his brother [[Performer~P85372~Ethan~ethancoen]], screenwriter/director Joel Coen has built a reputation as one of the most visionary and idiosyncratic filmmakers of the late 20th century. Combining thoughtful eccentricity, wry humor, arch irony, and often brutal violence, the films of the Coen brothers have become synonymous with a style of filmmaking that pays tribute to classic American movie genres -- especially film noir -- while sustaining a firmly postmodern feel. Beginning with [[Feature~V6128~Blood Simple~bloodsimple]], their brutal, stylish 1984 debut, the brothers have amassed a body of work that has established them as two of the most compelling figures in American and world cinemas.
Born in St. Louis Park, MN, in 1954, Joel Coen studied at New York University before moving into filmmaking in the early '80s. He and his younger brother began writing screenplays while Joel worked as an assistant editor on good friend [[Performer~P107427~Sam Raimi~samraimi]]'s 1983 film [[Feature~V16251~The Evil Dead~theevildead]]. In 1984, they made their debut with [[Feature~V6128~Blood Simple~bloodsimple]]. Both of them wrote and edited the film (using the name [[Performer~P95930~Roderick Jaynes~roderickjaynes]] for the latter duty), while Joel took the directing credit and [[Performer~P85372~Ethan~ethancoen]] billed himself as the producer. It earned considerable critical acclaim and established the brothers as fresh, original talent. Their next major effort (after [[Feature~V11534~Crimewave~crimewave]], a 1985 film they wrote that was directed by [[Performer~P107427~Raimi~samraimi]]), 1987's [[Feature~V40176~Raising Arizona~raisingarizona]] was a screwball comedy miles removed from the dark, violent content of their previous movie, and it won over critics and audiences alike. Their fan base growing, the Coens went on to make [[Feature~V32692~Miller's Crossing~millerscrossing]] (1990), a stark gangster epic with a strong performance from [[Performer~P114771~John Turturro~johnturturro]], whom the brothers also used to great effect in their next film, [[Feature~V4016~Barton Fink~bartonfink]] (1991). [[Feature~V4016~Fink~bartonfink]] earned Joel a Best Director award and a Golden Palm at the 1991 Cannes Film Festival, as well as the festival's Best Actor award for [[Performer~P114771~Turturro~johnturturro]]. A surreal, nightmarish movie revolving around a writer's creative block, it was a heavily stylized, atmospheric triumph that further established the Coens as visionary arbiters of the bizarre.
Their 1994 follow-up to [[Feature~V4016~Barton Fink~bartonfink]], [[Feature~V131165~The Hudsucker Proxy~thehudsuckerproxy]], was a relative critical and commercial disappointment, though it did boast the sort of heavily stylized, postmodern irony that had so endeared the brothers to their audience. Whatever failings [[Feature~V131165~The Hudsucker Proxy~thehudsuckerproxy]] exhibited, however, were more than atoned for by the unquestionable success of the Coens' next film, [[Feature~V135867~Fargo~fargo]] (1996). A black, violent crime comedy with a surprisingly warm heart, it recalled [[Feature~V6128~Blood Simple~bloodsimple]] in its themes of greed, corruption, and murder, but provided more redemptive sentiment than was afforded to the characters of the previous film. The brothers shared a Best Original Screenplay Oscar for their work, and another Oscar, for Best Actress, went to [[Performer~P47305~Frances McDormand~francesmcdormand]], to whom Joel had been married since 1984.
Following [[Feature~V135867~Fargo~fargo]], the Coens went on to make [[Feature~V158880~The Big Lebowski~thebiglebowski]] in 1998. A blend of bungled crime and warped comedy, [[Feature~V158880~Lebowski~thebiglebowski]] was a laid-back, irreverent revision of the hardboiled L.A. detective genre. It met with mixed critical reception, though it did receive a Golden Bear nomination for Joel Coen at the Berlin Film Festival. The year 2000 brought the Coens into the depression-era with [[Feature~V201791~O Brother, Where art Thou?~obrotherwhereartthou]] An admittedly loose adaptation of [[Performer~P310511~Homer~homer]]'s The Odyssey, [[Feature~V201791~O Brother~obrotherwhereartthou]] starred [[Performer~P13722~George Clooney~georgeclooney]], [[Performer~P114771~John Turturro~johnturturro]], and [[Performer~P52225~Tim Blake Nelson~timblakenelson]] as escaped convicts on a surreal journey through 1930s Mississippi. Wasting no time in production of their next feature, the following year found Joel the recipient of his third Best Director award at Cannes for the darkly comic, monochromatic post-noir [[Feature~V246226~The Man Who Wasn't There~themanwhowasntthere]]. Starring [[Performer~P70825~Billy Bob Thornton~billybobthornton]] as a humble, small-town barber who gets mixed up in a tangled web of blackmail and deceit, the moody atmosphere of [[Feature~V246226~The Man Who Wasn't There~themanwhowasntthere]] eschewed the wacky antics of [[Feature~V201791~O Brother~obrotherwhereartthou]] in favor of a darker, more moody tone that recalled such earlier Coen efforts as [[Feature~V6128~Blood Simple~bloodsimple]] and [[Feature~V4016~Barton Fink~bartonfink]].
Two years later, Joel and [[Performer~P85372~Ethan~ethancoen]] re-teamed with [[Performer~P13722~Clooney~georgeclooney]] for [[Feature~V282916~Intolerable Cruelty~intolerablecruelty]], a film that represented their version of a '30s screwball comedy. The film was noteworthy in that it was the first movie made by the brothers that did not originate with them; they rewrote a script that was already in existence. Joel and [[Performer~P85372~Ethan~ethancoen]] were also listed as executive producers on the 2003 [[Performer~P118083~Terry Zwigoff~terryzwigoff]] film [[Feature~V285775~Bad Santa~badsanta]], a story that came from one of their original ideas. 2004 saw the release of the Coens' first remake, [[Feature~V288548~The Ladykillers~theladykillers]] starring [[Performer~P93341~Tom Hanks~tomhanks]]. That film also marked the first time Joel shared directorial credit with [[Performer~P85372~Ethan~ethancoen]].
After a three year layoff from movies, the brothers returned with an adaptation of Cormac McCarthy's No Country for Old Men. The taut but philosophically minded thriller opened to nearly universal praise and became one of the two films to dominate year end critics and industry awards. Joel and [[Performer~P85372~Ethan~ethancoen]] won the best Director award from the Director's Guild of America, and found themselves taking home awards for Directing, Writing, and Best Picture from that year's Oscar telecast.
They followed their award-winning film with the jet-black comedy Burn After Reading, but in 2009 they released one of their most idiosyncratic movies, A Serious Man. That film earned the brothers another nomination for Best Screenplay from the Academy.
Their remarkable run continued with 2010's remake of True Grit, a film that once again garnered Oscar nominations for directing, screenwriting, and Best Picture, in addition to acting nods in various categories. ~ Rebecca Flint Marx, Rovi