View All

Watch It

In Theaters

Gérard Philipe doesn't have any movies playing in theaters.

If you feel like heading out, check out other movies in theaters.

At Home
  • Les Belles de Nuit

  • Monsieur Ripois

  • La Fièvre Monte à El Pao

  • La Beauté du Diable

  • Fanfan la Tulipe

  • La Ronde

  • The Charterhouse of Parma

  • Les Liaisons Dangereuses 1960

1 of 8

Gérard Philipe Biography

  • Profession: Actor
  • Born: Dec 4, 1922
  • Died: Nov 27, 1959

If it is true that Gerard Philipe entertained thoughts of becoming a physician, he'd purged himself of such notions before his teen years were over. After studying acting in his native Cannes with [[Performer~P74320~Jean Wall~jeanwall]] and Jean Huet, Philipe was discovered for the stage by veteran performer [[Performer~P17115~Claude Dauphin~claudedauphin]]. Philipe's first theatrical success, at age 20, was the title role in Camus' [[Feature~V7895~Caligula~caligula]]. In 1947, after a few negligible movie roles, he exploded upon the European film scene in Autant-Lara's [[Feature~V13516~Le Diable a Corps~thedevilintheflesh]], playing Francois Jaubert, a callow youth in love with much-older and very married [[Performer~P1~Micheline Presle~michelinepresle]]. Superstardom followed almost immediately: female filmgoers doted upon Philipe's sensitive, handsome features and strapping physique, while men identified with his soulfulness and introspection. Far more versatile than your average romantic lead ("Whenever you thought he had reached his limit, there was still more," enthused director [[Performer~P85111~Rene Clair~renéclair]]), Philipe contributed a wealth of highly varied film characterizations: Faust in [[Feature~V98135~Beauty and the Devil~labeautédudiable]] (1950), the tongue-in-cheek titular swashbuckler in [[Feature~V136404~Fanfan the Tulip~fanfan]] (1952), the artist Modigliani in [[Feature~V81629~Montparnasse 19~montparnasse19]] (1957), and so on. And let us not overlook Philipe's inspired performances as the hedonistically ambitious antiheroes in the Stendhal adaptations [[Feature~V138249~La Chartreuse de Parme~thecharterhouseofparma]] (1947) and [[Feature~V40649~The Red and the Black~lerougeetlenoir]] (1954). In 1956, Phillipe both directed and starred in a filmization of the old folk tale Till Eulenspiegel. While working on Bunuel's [[Feature~V17095~Le Fievre Monte a El Pao~lafièvremonteàelpao]] (1959), Philipe either succumbed to cancer or was stricken by a fatal heart attack; he was one week shy of his 37th birthday. Like [[Performer~P72650~Rudolph Valentino~rudolphvalentino]], [[Performer~P30456~Jean Harlow~jeanharlow]] and [[Performer~P18134~James Dean~jamesdean]] before him, Phillipe passed from the scene at the peak of his popularity and with his legend intact. In 1961, his image was used on a French commemorative stamp--an honor hitherto bestowed upon only one other actor, the immortal [[Performer~P58515~Raimu~raimu]]. Gerard Philipe's widow Anne has written two memoirs of her husband's life: [[Feature~V137287~Souvenirs~souvenirssouvenirs]] (1960), No Longer Than a Sigh (1964). ~ Hal Erickson, Rovi