Charming, handsome, and easy-going, lead actor and megastar Burt Reynolds entered the world on February 11, 1936. He attended Florida State University on a football scholarship, and became an all-star Southern Conference halfback, but - faced with a knee injury and a debilitating car accident - switched gears from athletics to college drama. In 1955, he dropped out of college and traveled to New York, in search of stage work, but only turned up occasional bit parts on television, and for two years he had to support himself as a dishwasher and bouncer.
In 1957, Reynolds's ship came in when he appeared in a New York City Center revival of Mister Roberts; shortly thereafter, he signed a television contract. He sustained regular roles in the series Riverboat, Gunsmoke, Hawk, and Dan August. Although he appeared in numerous films in the 1960s, he failed to make a significant impression. In the early '70s, his popularity began to increase, in part due to his witty appearances on daytime TV talk shows. His breakthrough film, [[Feature~V13142~Deliverance~deliverance]] (1972), established him as both a screen icon and formidable actor. That same year, Reynolds became a major sex symbol when he posed as the first nude male centerfold in the April edition of Cosmopolitan. He went on to become the biggest box-office attraction in America for several years - the centerpiece of films such as [[Feature~V23960~Hustle~hustle]] (1975), [[Feature~V45289~Smokey and the Bandit~smokeyandthebandit]] (1977) (as well as its two sequels), The End (1978), [[Feature~V46695~Starting Over~startingover]] (1979), [[Feature~V4935~The Best Little Whorehouse in Texas~thebestlittlewhorehouseintexas]] (1982), and The Man Who Loved Women (1983). However, by the mid-'80s, his heyday ended, largely thanks to his propensity for making dumb-dumb bumper-smashing road comedies with guy pals such as Hal Needham (Stroker Ace, The Cannonball Run 2). Reynolds's later cinematic efforts (such as the dismal Malone (1987)) failed to generate any box office sizzle, aside from a sweet and low-key turn as an aging career criminal in Bill Forsyth's Breaking In (1989). Taking this as a cue, Reynolds transitioned to the small screen, and starred in the popular sitcom Evening Shade, for which he won an Emmy. He also directed several films, created the hit Win, Lose or Draw game show with friend Bert Convy, and established the Burt Reynolds Dinner Theater in Florida.
In the mid-'90s, Reynolds ignited a comeback that began with his role as a drunken, right-wing congressman in Andrew Bergman's [[Feature~V136217~Striptease~striptease]] (1996). Although the film itself suffered from critical pans and bombed out at the box office, the actor won raves for his performance, with many critics citing his comic interpretation of the role as one of the film's key strengths. His luck continued the following year, when [[Performer~P231996~Paul Thomas Anderson~paulthomasanderson]] cast him as porn director Jack Horner in his acclaimed [[Feature~V158673~Boogie Nights~boogienights]]. Reynolds would go on to earn a Best Supporting Actor Oscar nomination, and between the twin triumphs of [[Feature~V136217~Striptease~striptease]] and Nights, critics read the resurgence as the beginning of a second wind in the [[Feature~V13142~Deliverance~deliverance]] star's career, ala John Travolta's turnaround in 1994's Pulp Fiction.
But all was not completely well chez Burt. A nasty conflict marred his interaction with [[Performer~P231996~Paul Thomas Anderson~paulthomasanderson]] just prior to the release of [[Feature~V158673~Boogie Nights~boogienights]]. It began with Reynolds's disastrous private screening of Nights; he purportedly loathed the picture so much that he phoned his agent after the screening and fired him. When the Anderson film hit cinemas and became a success d'estime, Reynolds rewrote his opinion of the film and agreed to follow Anderson on a tour endorsing the effort, but Reynolds understandably grew peeved when Anderson refused to let him speak publicly. Reynolds grew so infuriated, in fact, that he refused to play a role in Anderson's tertiary cinematic effort, 1999's Magnolia.
Reynolds's went on to appear in a big screen adatpation of The Dukes of Hazzard as Boss Hogg, and later returned to drama with a supporting performance in the musical drama Broken Bridges; a low-key tale of a fading country music star that served as a feature debut for real-life country music singer Toby Kieth. Over the coming years, Reynolds would also enjoy occasional appearances on shows like My Name is Earl and Burn Notice.
~ Nathan Southern, Rovi